Classical Sheet Music for Mixed Ensemble

Baum's rich chamber music oeuvre is distinguished by the fact that in the contemporary 'vocabulary of sound' it also succeeds in making joyful music with melodic-rhythmic esprit. Superb!

According to the new edition, corrected by the composer himself, of the first print of parts. Schlesinger / Op. 34 Prix Rrt 16 gr. / No. 183

Edited from the First Edition.

From the series: Aurea Amadeus, No. 338.

First Edition

Edited from the original edition.

First Edition

Edited from the first edition.

This historicizing love poetry from pre-Christian times, a poem of literary symbolism, was musically portrayed by Debussy in a congenial manner: Bilitis, the beautiful priestess of Aphrodite, sings of...

The Rondoletto, brilliant as it is enchanting and playful for the oboe, is one of the sparse works from the early Romantic period, and the accompanying very light string ensemble can be choral or solo...

The trio remained in the repertoire for a long time as Kummer's best-known chamber music, not least thanks to its consummate elegance. The work also exists in the instrumentation for 2 flutes, viola,...

The movements, which in rococo times provided the 'most pleasing melodic and rhythmic order for festive occasions', are a playful pleasure.

The movements reflect the gallantry in melody and rhythm, which always made a state in concerts of the wealthy bourgoisie of the rococo. Easy to perform.

Composed in the summer of 1948, 'Suite baroque à la française' presents the traditional dance movements (Prélude, Sarabande, Sicilienne, Récitatif). Worthwhile.

An overall view of the trio sonatas, which Amadeus strives for, only conveys the wealth of compositional ideas that Quantz knew how to spread in these early works.

First Edition

First Edition

First Edition

The collection 'European Love Songs from 8 Centuries' (Munich 1978) gave the occasion to capture this song material instrumentally in the distinctive instrumentation of alto flute and harp.

This op.19, praised by C.M.v. Weber for its 'heavenly tasteful performance', is a masterpiece of compositional and technical balance.

Dotzauer's sound-loving A minor quartet, whose melodic flow with fugal farewell in the finale leaves hardly anything to be desired, deserves a renaissance in house and concert.

The work, in the form of a suite of old dances, is something of the finest, a cabinet piece par excellence in expression, melodicism and instrumental finesse: Obligatory piece for this duo instrumenta...