Classical Sheet Music for Mixed Ensemble

The beauty and brilliance of this sextet, which can be performed well without horns, are unparalleled: it will remain forever young.

One of the most beautiful and espressive works in the rare quintet instrumentation with oboe, balanced in the treatment of all instruments with moderate technical demands. Repertoire.

In Telemann's famous 'Essercizii Musici', the trios with obbligato harpsichord as the second melodic part occupy a special position: they stand (almost) alone in the literature of this genre.

First Edition

A work entirely in the blending of the Italian and German instrumental styles. The melodic balance among the voices is self-evident for the cellists Cirri. Medium level of difficulty.

First Edition Largo cantabile - Allegretto - Vivace assai

Composed in 1972, the quintet is aimed at all house musicians who enjoy playing in mixed ensembles, thanks to its modest technical demands, especially the very light violin part.

First Edition

Infuse your repertoire with baroque brilliance and captivating musical joy with this enchanting Concerto in C major for alto recorder, strings, and basso continuo. The radiant key of C major lends the...

The technically easy to master work (2nd violin and viola executable in the 1st position) is a choral version of the Quintet op.74 for violin, clarinet, bassoon, cello and piano (BP 1276).

First Edition

A novella that lets a small impostor become a count, but whose unmasking ends peacefully bourgeois.

Bring festive elegance to your holiday performances with the enchanting "1. Symphonie Noël". This atmospheric work weaves a delightful tapestry of lesser-known yet deeply touching Christmas carols int...

From the illustrious Neapolitan collection of 24 'Concerti di Flauti, Violino, Violetta e Basso Di Diversi Autori' of 1725. A work that works both solo and with choral string instrumentation.

This attractive work is part of the famous Neapolitan collection of 24 concertos, created around 1725 as 'Concerti di Flauto, Violino, Violetta e Basso Di Diversi Autori'.

Edited from the first edition.

The sonata is part of the collection of two- to five-part sonatas from 1682. Experimental in form and harmony. Largely executable in the 1st position.

Songs 'Das große Licht' by Simon Dach and 'Trost der Nacht' by Grimmelshausen set to music in the late Romantic style of 1941. Of particular charm: the darkly colored clarinet part.

The impressive work of an early composer. The timeless tonal beauty and the technical refinement should promote the rediscovery of the quintet.

In the 1933 nonet (Praeludium, Aria and Fugue), in which late Romantic echoes are clearly audible, the strings can also be chorally scored.

First Edition