Classical Sheet Music for Mixed Ensemble
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
- Soloists, Mixed Choir, 2 Cornets, 3 Trombones, 2 Violins, 3 Violas, Cello, Violone and Continuo
- Piano Reduction (Urtext)
- Paul Horn
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ships within 2-5 working days
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In many performances of Monteverdi's magnificent Vespers of the Virgin Mary, the rather high movements "Lauda Jerusalem" and the Magnificat are transposed downwards. In order to make this possible wit...
In many performances of Monteverdi's magnificent Vespers of the Virgin Mary, the rather high movements "Lauda Jerusalem" and the Magnificat are transposed downwards. In order to make this possible wit...
- Soloists, Mixed Choir, 2 Flutes, 2 Recorders, 2 Horns, 3 trombones, 2 Violins, 3 Violas, Cello, Violone and Basso continuo
- Piano Reduction Download
- Carus-Verlag
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immediately available
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In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
- Soloists, Mixed Choir, 2 Cornets, 3 Trombones, 2 Violins, 3 Violas, Cello, Violone and Continuo
- Choral Score (Urtext)
- Carus-Verlag
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ships within 2-5 working days
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
- High Voice, 2 Mixed Choirs (SAB), 7 Instruments and Continuo
- Set of Parts (Urtext)
- Carus-Verlag
-
ships within 2-5 working days
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
- Soloists, Mixed Choir, 2 Cornets, 3 Trombones, 2 Violins, 3 Violas, Cello, Violone and Continuo
- Set of Parts (Urtext)
- Carus-Verlag
-
ships within 2-5 working days
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
- High Voice, 2 Mixed Choirs (SAB), 7 Instruments and Continuo
- Instrumental Part: Organ (Urtext)
- Carus-Verlag
-
ships within 2-5 working days
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
- Soloists, Mixed Choir, 2 Cornets, 3 Trombones, 2 Violins, 3 Violas, Cello, Violone and Continuo
- Instrumental Part: Organ (Urtext)
- Carus-Verlag
-
ships within 2-5 working days
A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins, 2 Trombones and Basso continuo
- Instrumental Part: Violin 1
- Carus-Verlag
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ships within 2-5 working days
A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins, 2 Trombones and Basso continuo
- Instrumental Part: Violin 2
- Carus-Verlag
-
-
ships within 2-5 working days
A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins, 2 Trombones and Basso continuo
- Instrumental Part: Continuo
- Carus-Verlag
-
-
ships within 2-5 working days
A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins, 2 Trombones and Basso continuo
- Instrumental Part: Organ
- Carus-Verlag
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-
ships within 2-5 working days
- Instrument and Organ
- Set of Parts
- Helmut Bornefeld
- Carus-Verlag
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ships within 2-5 working days
- Instrument and Organ
- Instrumental Part: English Horn
- Helmut Bornefeld
- Carus-Verlag
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ships within 2-5 working days
- Instrument and Organ
- Instrumental Part: Clarinet
- Helmut Bornefeld
- Carus-Verlag
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ships within 2-5 working days
- Instrument and Organ
- Instrumental Parts: Bassoon & Trombone
- Helmut Bornefeld
- Carus-Verlag
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ships within 2-5 working days
- Soloists (STB), Mixed Choir (SATB), 2 Oboes, 2 Horns, 2 Violins Solo, 2 Violins, Viola and Continuo
- Instrumental Part: Viola
- Carus-Verlag
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ships within 2-5 working days
- Also available for download!
- Soloists (STB), Mixed Choir (SATB), 2 Oboes, 2 Horns, 2 Violins Solo, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Download)
- Carus-Verlag
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immediately available
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- Soloists (STB), Mixed Choir (SATB), 2 Oboes, 2 Horns, 2 Violins Solo, 2 Violins, Viola and Continuo
- Instrumental Part: Cello
- Carus-Verlag
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ships within 2-5 working days
- Also available for download!
- Soloists (STB), Mixed Choir (SATB), 2 Oboes, 2 Horns, 2 Violins Solo, 2 Violins, Viola and Continuo
- Instrumental Part: Cello (Download)
- Carus-Verlag
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immediately available
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The cantata Christ lag in Todesbanden is among Bach's earliest preserved vocal compositions. The text is based Martin Luther's Easter chorale of the same name.
The cantata Christ lag in Todesbanden is among Bach's earliest preserved vocal compositions. The text is based Martin Luther's Easter chorale of the same name.
- Soloists (SATB), Mixed Choir (SATB), 2 Violins, 2 Violas and Basso Continuo
- Instrumental Part: Cornet
- Carus-Verlag
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ships within 2-5 working days
- Also available for download!
The cantata Christ lag in Todesbanden is among Bach's earliest preserved vocal compositions. The text is based Martin Luther's Easter chorale of the same name.
The cantata Christ lag in Todesbanden is among Bach's earliest preserved vocal compositions. The text is based Martin Luther's Easter chorale of the same name.
- Soloists (SATB), Mixed Choir (SATB), 2 Violins, 2 Violas and Basso Continuo
- Instrumental Part: Cornet (Download)
- Carus-Verlag
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immediately available
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Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org
Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org
- Soloists, Mixed Choir (SATB), Trumpet, 3 Oboes, Strings and Organ
- Score Download
- Carus-Verlag
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immediately available
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Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org
Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org
- Soloists, Mixed Choir (SATB), Trumpet, 3 Oboes, Strings and Organ
- Harmony Parts Download
- Carus-Verlag
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immediately available
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Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org
Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org
- Soloists, Mixed Choir (SATB), Trumpet, 3 Oboes, Strings and Organ
- Instrumental Part: Violin 1 (Download)
- Carus-Verlag
-
-
immediately available
Download immediately after ordering - Instant download
Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org
Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org
- Soloists, Mixed Choir (SATB), Trumpet, 3 Oboes, Strings and Organ
- Instrumental Part: Violin 2 (Download)
- Carus-Verlag
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immediately available
Download immediately after ordering - Instant download
Classical Sheet Music for Mixed Ensemble on all-sheetmusic.com
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