Classical Sheet Music for Orchestra
Joseph Haydn wrote Symphony No. 22 in E-flat major in 1764 as part of his tenure as Vice-Kapellmeister at the Esterházy court. The work is unique because of its instrumentation with two cors anglais:...
Joseph Haydn wrote Symphony No. 22 in E-flat major in 1764 as part of his tenure as Vice-Kapellmeister at the Esterházy court. The work is unique because of its instrumentation with two cors anglais:...
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Haydn composed his Symphony in F major Hob. I:67 around 1775/76, approximately ten years after his creative period began at the Esterházy Palace. At this time, the opera activities there were in a pha...
Haydn composed his Symphony in F major Hob. I:67 around 1775/76, approximately ten years after his creative period began at the Esterházy Palace. At this time, the opera activities there were in a pha...
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Haydn composed his Symphony in F major Hob. I:67 around 1775/76, approximately ten years after his creative period began at the Esterházy Palace. At this time, the opera activities there were in a pha...
Haydn composed his Symphony in F major Hob. I:67 around 1775/76, approximately ten years after his creative period began at the Esterházy Palace. At this time, the opera activities there were in a pha...
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Almost ten years after Haydn began his creative period at Esterházy Palace, he wrote his Symphony in B flat major Hob around 1774/75. I:68. At this time, the opera business at the princely court was i...
Almost ten years after Haydn began his creative period at Esterházy Palace, he wrote his Symphony in B flat major Hob around 1774/75. I:68. At this time, the opera business at the princely court was i...
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In the years 1775 to 1776, about ten years after Haydn had taken up his work at Esterházy Palace, he composed his Symphony in B flat major Hob. I:66. At this time, the opera business at the princely c...
In the years 1775 to 1776, about ten years after Haydn had taken up his work at Esterházy Palace, he composed his Symphony in B flat major Hob. I:66. At this time, the opera business at the princely c...
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The first four symphonic poems from Smetana's six-part cycle Má vlast (My Country) were written in 1874-75 and arranged for piano duet shortly after the completion of the fourth part, From Bohemia's W...
The first four symphonic poems from Smetana's six-part cycle Má vlast (My Country) were written in 1874-75 and arranged for piano duet shortly after the completion of the fourth part, From Bohemia's W...
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The compositional legacy of Carl Stamitz (1745-1801) includes seven concertos for bassoon and orchestra. The Concerto in C major was last published by Breitkopf & Härtel between 1782 and 1784, after w...
The compositional legacy of Carl Stamitz (1745-1801) includes seven concertos for bassoon and orchestra. The Concerto in C major was last published by Breitkopf & Härtel between 1782 and 1784, after w...
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Since 2014, the six symphonic poems of the cycle "My Fatherland" by Bedrich Smetana have been published individually in new Urtext editions edited by Hugh Macdonald. Now all six parts of this unique w...
Since 2014, the six symphonic poems of the cycle "My Fatherland" by Bedrich Smetana have been published individually in new Urtext editions edited by Hugh Macdonald. Now all six parts of this unique w...
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This critical edition of Janácek's most famous orchestral composition, the "Sinfonietta", is an updated version of the edition published by Universal Edition in 2017, which has been supplemented by a...
This critical edition of Janácek's most famous orchestral composition, the "Sinfonietta", is an updated version of the edition published by Universal Edition in 2017, which has been supplemented by a...
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Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
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Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
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Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
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Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
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Beethoven's incidental music op. 84 was composed in 1809 for a performance of Goethe's drama "Egmont" at the Burgtheater in Vienna. Numerous composers of the time, some of them in collaboration with t...
Beethoven's incidental music op. 84 was composed in 1809 for a performance of Goethe's drama "Egmont" at the Burgtheater in Vienna. Numerous composers of the time, some of them in collaboration with t...
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Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
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Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
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Beethoven's "Coriolan" overture was composed in 1807 and it is still not clear whether the work was originally intended as a concert overture or for the theater stage. The work was premiered at the Lo...
Beethoven's "Coriolan" overture was composed in 1807 and it is still not clear whether the work was originally intended as a concert overture or for the theater stage. The work was premiered at the Lo...
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Opéra comique in 3 Akten (französisch/deutsch). Urtext der Gluck-Gesamtausgabe. Sopran solo (4), Tenor solo (3), Bass solo (3), Sprecher (2), Piccolo, Flöte, Oboe (2), Englischhorn (2), Fagott (3), Ho...
Opéra comique in 3 Akten (französisch/deutsch). Urtext der Gluck-Gesamtausgabe. Sopran solo (4), Tenor solo (3), Bass solo (3), Sprecher (2), Piccolo, Flöte, Oboe (2), Englischhorn (2), Fagott (3), Ho...
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Musikdrama in 4 Aufzügen. Deutsche Fassung (Wien 1781). Urtext der Gluck-Gesamtausgabe. Sopran solo (4), Tenor solo (3), Bass solo (2), Gemischter Chor, Ball, Piccolo, Flöte 1, Flöte 2/ Piccolo, Oboe...
Musikdrama in 4 Aufzügen. Deutsche Fassung (Wien 1781). Urtext der Gluck-Gesamtausgabe. Sopran solo (4), Tenor solo (3), Bass solo (2), Gemischter Chor, Ball, Piccolo, Flöte 1, Flöte 2/ Piccolo, Oboe...
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Tragédie Opéra (Drama héroique) in 3 Akten. Pariser Fassung 1774 (französisch/deutsch). Urtext der Gluck-Gesamtausgabe. Sopran solo (2), Tenor solo, Gemischter Chor, Ball, Flöte (2), Oboe (2), Klarine...
Tragédie Opéra (Drama héroique) in 3 Akten. Pariser Fassung 1774 (französisch/deutsch). Urtext der Gluck-Gesamtausgabe. Sopran solo (2), Tenor solo, Gemischter Chor, Ball, Flöte (2), Oboe (2), Klarine...
- Soloists, Mixed Choir (SATB), 2 Alto Recorders, Bassoon, Violin, 4 Violas, Cello, Orchestra and Continuo
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Gluck. Sämtliche Werke. Serie II, Band 1 Flöte (2), Oboe (2), Fagott (2), Horn (2), Trompete (2), Posaune, Pauke, Streicher, Basso continuo
Gluck. Sämtliche Werke. Serie II, Band 1 Flöte (2), Oboe (2), Fagott (2), Horn (2), Trompete (2), Posaune, Pauke, Streicher, Basso continuo
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Dramma per musica in 3 Akten. Gluck. Sämtliche Werke. Serie III, Band 8 Sopran solo (4), Tenor solo, Flöte (2), Oboe (2), Englischhorn (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher, Basso...
Dramma per musica in 3 Akten. Gluck. Sämtliche Werke. Serie III, Band 8 Sopran solo (4), Tenor solo, Flöte (2), Oboe (2), Englischhorn (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher, Basso...
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Tragédie opéra in 4 Akten, Paris 1779 (französisch/deutsch). Im Anhang 1. und 2. Fassungen, Einschübe und Ergänzungen. Urtext der Gluck-Gesamtausgabe. Sopran solo (5), Tenor solo, Bariton solo, Bass s...
Tragédie opéra in 4 Akten, Paris 1779 (französisch/deutsch). Im Anhang 1. und 2. Fassungen, Einschübe und Ergänzungen. Urtext der Gluck-Gesamtausgabe. Sopran solo (5), Tenor solo, Bariton solo, Bass s...
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Dramma per musica in 3 Akten. Prager Fassung 1750 (italienisch). Urtext der Gluck-Gesamtausgabe. Sopran solo (3), Alt solo, Tenor solo (2), Oboe (2), Fagott (2), Horn (2), Streicher, Basso continuo -...
Dramma per musica in 3 Akten. Prager Fassung 1750 (italienisch). Urtext der Gluck-Gesamtausgabe. Sopran solo (3), Alt solo, Tenor solo (2), Oboe (2), Fagott (2), Horn (2), Streicher, Basso continuo -...
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Musikdrama in 3 Akten. Gesamtausgabe - Pariser Fassung 1776 (französisch/deutsch). Im Anhang Ergänzungen, Einschübe und Fragmente. Urtext der Gluck-Gesamtausgabe. Sopran solo (2), Alt solo, Tenor solo...
Musikdrama in 3 Akten. Gesamtausgabe - Pariser Fassung 1776 (französisch/deutsch). Im Anhang Ergänzungen, Einschübe und Fragmente. Urtext der Gluck-Gesamtausgabe. Sopran solo (2), Alt solo, Tenor solo...
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