Classical Sheet Music for Orchestra

French composer Édouard Lalo (1823-1892) wrote Le roi d'Ys, an opera in three acts and five tableaux, between 1875 and 1888. He was prompted by his wife, contralto Julie de Maligny, to use the Breton...

French composer Édouard Lalo (1823-1892) wrote Le roi d'Ys, an opera in three acts and five tableaux, between 1875 and 1888. He was prompted by his wife, contralto Julie de Maligny, to use the Breton...

Édouard Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist...

Édouard Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist...

Anatoly Lyadov (1855-1914), one of the Russian Five, wrestled with doubt in his own creative talent. Exclusively writing small-scale works, he explored the folk music of his native country, much of wh...

Anatoly Lyadov (1855-1914), one of the Russian Five, wrestled with doubt in his own creative talent. Exclusively writing small-scale works, he explored the folk music of his native country, much of wh...

Anatoly Lyadov (1855-1914) composed KIKIMORA, Op. 63 in 1909. Based on the familiar figure from Slavic mythology, the following description from Russian Folk-Tales of I.P. Sakharov (translated by Carl...

Anatoly Lyadov (1855-1914) composed KIKIMORA, Op. 63 in 1909. Based on the familiar figure from Slavic mythology, the following description from Russian Folk-Tales of I.P. Sakharov (translated by Carl...

THE ENCHANTED LAKE, Op. 62 is a tone poem by Anatoly Lyadov (1855-1914). Subtitled "fairy tale scene", it is probably his most celebrated work due to its delicate scoring and evocative tranquility. Sc...

Hungarian virtuoso pianist and composer Franz Liszt (1811-1886) began to develop the concept of the symphonic poem (symphonische dichtung; poème symphonique) following his 1847 retirement from concert...

Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his stud...

Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his stud...

The idea for TOTENTANZ, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864....

The idea for TOTENTANZ, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864....

Franz Liszt (1811-1886) wrote 19 Hungarian Rhapsodies for piano as a way to incorporate the music of his youth into his compositions, and Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2 (1847) is b...

Franz Liszt (1811-1886) wrote 19 Hungarian Rhapsodies for piano as a way to incorporate the music of his youth into his compositions, and Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2 (1847) is b...

American composer Edward MacDowell (1860-1908) originally wrote his orchestral Suite No. 1, Op. 42 in 1891, although the original version only included four movements. In 1893, MacDowell added the 3rd...

American composer Edward MacDowell (1860-1908) originally wrote his orchestral Suite No. 1, Op. 42 in 1891, although the original version only included four movements. In 1893, MacDowell added the 3rd...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...