Classical Sheet Music for Orchestra
Franz Joseph Haydn (1732-1809) wrote his SYMPHONY No. 1 in D major, Hob. I:1, at the beginning of his role as music director for Count Karl Joseph Franz Morzin. Composed in 1757, it opens with a slow...
Franz Joseph Haydn (1732-1809) wrote his SYMPHONY No. 1 in D major, Hob. I:1, at the beginning of his role as music director for Count Karl Joseph Franz Morzin. Composed in 1757, it opens with a slow...
- Orchestra
- Score
- Edwin F. Kalmus
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Franz Joseph Haydn (1732-1809) wrote his SYMPHONY No. 1 in D major, Hob. I:1, at the beginning of his role as music director for Count Karl Joseph Franz Morzin. Composed in 1757, it opens with a slow...
Franz Joseph Haydn (1732-1809) wrote his SYMPHONY No. 1 in D major, Hob. I:1, at the beginning of his role as music director for Count Karl Joseph Franz Morzin. Composed in 1757, it opens with a slow...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
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Likely written by Joseph Haydn (1732-1809) in 1763, Symphony No. 16 in B-flat (Hob. I:16) was among the first symphonies written when Haydn was employed by the Esterházy family. In three movements, th...
Likely written by Joseph Haydn (1732-1809) in 1763, Symphony No. 16 in B-flat (Hob. I:16) was among the first symphonies written when Haydn was employed by the Esterházy family. In three movements, th...
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- Score
- Edwin F. Kalmus
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Likely written by Joseph Haydn (1732-1809) in 1763, Symphony No. 16 in B-flat (Hob. I:16) was among the first symphonies written when Haydn was employed by the Esterházy family. In three movements, th...
Likely written by Joseph Haydn (1732-1809) in 1763, Symphony No. 16 in B-flat (Hob. I:16) was among the first symphonies written when Haydn was employed by the Esterházy family. In three movements, th...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Peter Ilyitch Tchaikovsky (1840-1893) wrote the 3-act opera MAZEPPA between 1881-1883. With a libretto by Victor Burenin, based on Pushkin's poem Poltava, the opera takes the late 17th century histori...
Peter Ilyitch Tchaikovsky (1840-1893) wrote the 3-act opera MAZEPPA between 1881-1883. With a libretto by Victor Burenin, based on Pushkin's poem Poltava, the opera takes the late 17th century histori...
- Orchestra
- Score
- Edwin F. Kalmus
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Peter Ilyitch Tchaikovsky (1840-1893) wrote the 3-act opera MAZEPPA between 1881-1883. With a libretto by Victor Burenin, based on Pushkin's poem Poltava, the opera takes the late 17th century histori...
Peter Ilyitch Tchaikovsky (1840-1893) wrote the 3-act opera MAZEPPA between 1881-1883. With a libretto by Victor Burenin, based on Pushkin's poem Poltava, the opera takes the late 17th century histori...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Edward Elgar (1857-1934) wrote the short orchestral piece titled Sevillaña (Scène Espagnole), Op. 7 in 1884 when the composer was twenty-six. 1884 was a time of personal difficulty for Elgar as his en...
Edward Elgar (1857-1934) wrote the short orchestral piece titled Sevillaña (Scène Espagnole), Op. 7 in 1884 when the composer was twenty-six. 1884 was a time of personal difficulty for Elgar as his en...
- Orchestra
- Score
- Edwin F. Kalmus
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Edward Elgar (1857-1934) wrote the short orchestral piece titled Sevillaña (Scène Espagnole), Op. 7 in 1884 when the composer was twenty-six. 1884 was a time of personal difficulty for Elgar as his en...
Edward Elgar (1857-1934) wrote the short orchestral piece titled Sevillaña (Scène Espagnole), Op. 7 in 1884 when the composer was twenty-six. 1884 was a time of personal difficulty for Elgar as his en...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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WERTHER, an opera in four acts by Jules Massenet (1842-1912), found its inspiration in a novel by Goethe, The Sorrows of Young Werther, which in turn based its story on the actual suicide of a young m...
WERTHER, an opera in four acts by Jules Massenet (1842-1912), found its inspiration in a novel by Goethe, The Sorrows of Young Werther, which in turn based its story on the actual suicide of a young m...
- 9 Soloists, Choir and Orchestra
- Score and Parts
- Edwin F. Kalmus
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AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
- Orchestra
- Score
- Edwin F. Kalmus
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AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Edvard Grieg (1843-1907) wrote Lyric Pieces as a collection of 66 short works for piano. Published in ten volumes, Book VIII, Op. 65, contains six pieces, which includes "Bryllupsdag på Troldhaugen" (...
Edvard Grieg (1843-1907) wrote Lyric Pieces as a collection of 66 short works for piano. Published in ten volumes, Book VIII, Op. 65, contains six pieces, which includes "Bryllupsdag på Troldhaugen" (...
- Orchestra
- Score and Parts
- Gottfried Huppertz
- Edwin F. Kalmus
-
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Edvard Grieg (1843-1907) wrote Lyric Pieces as a collection of 66 short works for piano. Published in ten volumes, Book VIII, Op. 65, contains six pieces, which includes "Bryllupsdag på Troldhaugen" (...
Edvard Grieg (1843-1907) wrote Lyric Pieces as a collection of 66 short works for piano. Published in ten volumes, Book VIII, Op. 65, contains six pieces, which includes "Bryllupsdag på Troldhaugen" (...
- Orchestra
- Score
- Gottfried Huppertz
- Edwin F. Kalmus
-
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Italian composer Pietro Mascagni (1863-1945) wrote L'amico Fritz in 1891 only one year after his masterpiece Cavalleria rusticana began the Versimo movement. A charming light opera in three acts, L'am...
Italian composer Pietro Mascagni (1863-1945) wrote L'amico Fritz in 1891 only one year after his masterpiece Cavalleria rusticana began the Versimo movement. A charming light opera in three acts, L'am...
- Soloists, Choir and Orchestra
- Score
- Edwin F. Kalmus
-
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NABUCCO, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi's (1813-1901) first major operatic success, and was written reluctantly, followi...
NABUCCO, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi's (1813-1901) first major operatic success, and was written reluctantly, followi...
- Mixed Choir (SATB), Soloists and Orchestra
- Score
- Edwin F. Kalmus
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NABUCCO, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi's (1813-1901) first major operatic success, and was written reluctantly, followi...
NABUCCO, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi's (1813-1901) first major operatic success, and was written reluctantly, followi...
- Mixed Choir (SATB), Soloists and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
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While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
- High Voice, Choir and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
- High Voice, Choir and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
- High Voice, Choir and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Composed by Vincenzo Bellini (1801-1835) in 1830, the two-act opera I Capuletti e i Montecchi (The Capulets and the Mantagues) stands as one of only two successful opera adaptations of Shakespeare's R...
Composed by Vincenzo Bellini (1801-1835) in 1830, the two-act opera I Capuletti e i Montecchi (The Capulets and the Mantagues) stands as one of only two successful opera adaptations of Shakespeare's R...
- High Voice, Choir and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
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Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L'italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vi...
Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L'italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vi...
- Medium Voice, Choir and Orchestra
- Score
- Edwin F. Kalmus
-
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Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L'italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vi...
Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L'italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vi...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Edward Elgar's (1857-1934) Symphony No. 1 in A-flat, Op. 55 was completed in 1908, although it was a work about a decade in the making. Originally proposed as early as 1898 as a programmatic work base...
Edward Elgar's (1857-1934) Symphony No. 1 in A-flat, Op. 55 was completed in 1908, although it was a work about a decade in the making. Originally proposed as early as 1898 as a programmatic work base...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Edward Elgar's (1857-1934) Symphony No. 1 in A-flat, Op. 55 was completed in 1908, although it was a work about a decade in the making. Originally proposed as early as 1898 as a programmatic work base...
Edward Elgar's (1857-1934) Symphony No. 1 in A-flat, Op. 55 was completed in 1908, although it was a work about a decade in the making. Originally proposed as early as 1898 as a programmatic work base...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Originally written for piano four hands in 1879, Hungarian Dances (WoO 1), a set of 21 lively dance tunes mostly based on Hungarian themes, are among Johannes Brahms' (1833-1897) most popular works to...
Originally written for piano four hands in 1879, Hungarian Dances (WoO 1), a set of 21 lively dance tunes mostly based on Hungarian themes, are among Johannes Brahms' (1833-1897) most popular works to...
- Orchestra
- Score
- Sam Dennison
- Edwin F. Kalmus
-
ships within 2-4 weeks
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