Classical Sheet Music for Orchestra

George Frideric Handel's Organ Concerto No. 10 in D minor, Op. 7/4 (HWV 309) is one of the most compelling and dramatic works in the Baroque concerto repertoire. The masterful dialogue between the vir...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

Breathe new orchestral life into baroque masterpieces: The "Suite nach dem Notenbüchlein für Anna Magdalena Bach" combines the timeless grace and familiar warmth of Johann Sebastian Bach's celebrated...

With "Exsultate, jubilate" K. 165 (158a), Wolfgang Amadeus Mozart crafted an incomparable masterpiece of sacred vocal music brimming with youthful brilliance, elegance, and virtuosity. This world-reno...

With his Symphony No. 1 in C major, Op. 21, Ludwig van Beethoven stepped onto the symphonic stage and immediately set groundbreaking standards for the orchestral world. This high-quality full score fr...

As with the other Beethoven reissues by Clive Brown and Peter Hauschild, the editor does not mechanically align the often very different indications in the sources for the 4th Symphony.

The conducting score contains only an abridged version of the detailed Critical Report that was published separately in book form (Brown: The Reassessment of the Sources of Beethoven's 5th Symphony, B...

Hauschild's new edition is based on all important primary sources: autograph, first printing of parts, score copies supervised by Beethoven, and finally the first printing of the score.

Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

Experience a masterpiece of Baroque brilliance with George Frideric Handel’s famous Organ Concerto No. 13 in F major (HWV 295), widely known as 'The Cuckoo and the Nightingale'. Celebrated for its cha...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

With the new Breitkopf Urtext orchestral material, the 'Prague' symphony will sound somewhat different.

The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...

With the festive Mass in B-flat major, Op. posth. 141 (D 324), the young Franz Schubert created a masterpiece brimming with youthful vitality, melodic beauty, and profound sacred depth. The magnificen...

Experience a monumental masterpiece of the Romantic era: The Symphony No. 2 in C major, Op. 61 captivates with its profound emotional depth, boundless creative energy, and a radiant, triumphant finale...

Robert Schumann's Symphony No. 3 in E-flat major, Op. 97—widely known and cherished as the "Rhenish"—is a radiant masterpiece of musical Romanticism. Bursting with joie de vivre, festive grandeur, and...

Immerse yourself in one of the boldest and most captivating masterpieces of the Romantic era: Robert Schumann's Symphony No. 4 in D minor, Op. 120. With its revolutionary, continuous four-movement str...

Wolfgang Amadeus Mozart’s overture to “Don Giovanni” (K. 527) stands among the most thrilling and ingenious masterpieces in music history. From its formidable opening D-minor chords, the piece immedia...

With the oratorio "St. Paul" (Paulus) Op. 36, Felix Mendelssohn Bartholdy created a captivating masterpiece of Romantic sacred music. Powerful and deeply expressive, the work depicts the dramatic tran...

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The revision of the frequently sung Mass in B-flat major brings to light a large number of new readings compared to the older Breitkopf edition.

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.