Classical Sheet Music for Orchestra
- Soloists and Orchestra
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- Orchestra
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- Orchestra
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Im Frühling 1957 schrieb ich Nachtstücke und Arien, mit Ingeborgs Gedichten Freies Geleit und Im Gewitter der Rosen. Das letztere bestand anfangs nur aus einem Vierzeiler bis sie mir für die Kompositi...
Im Frühling 1957 schrieb ich Nachtstücke und Arien, mit Ingeborgs Gedichten Freies Geleit und Im Gewitter der Rosen. Das letztere bestand anfangs nur aus einem Vierzeiler bis sie mir für die Kompositi...
- Orchestra, High Voice and Orchestra
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Im Frühling 1957 schrieb ich Nachtstücke und Arien, mit Ingeborgs Gedichten Freies Geleit und Im Gewitter der Rosen. Das letztere bestand anfangs nur aus einem Vierzeiler bis sie mir für die Kompositi...
Im Frühling 1957 schrieb ich Nachtstücke und Arien, mit Ingeborgs Gedichten Freies Geleit und Im Gewitter der Rosen. Das letztere bestand anfangs nur aus einem Vierzeiler bis sie mir für die Kompositi...
- Orchestra, High Voice and Orchestra
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- Cello and Orchestra
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- Cello and Orchestra
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gemischter Chor (SSATB) mit Sopran solo, Violine solo und Orchester
gemischter Chor (SSATB) mit Sopran solo, Violine solo und Orchester
- High Voice, Mixed Choir (SATB), Violin and Orchestra
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- Mixed Choir (SATB), Piano and Orchestra
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Like my oratorio Novae de infinito laudes, this work, too, has been influenced by the human world and the scenery of Rome, indeed, perhaps even by the greater hardness of the roman language compared t...
Like my oratorio Novae de infinito laudes, this work, too, has been influenced by the human world and the scenery of Rome, indeed, perhaps even by the greater hardness of the roman language compared t...
- Orchestra
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Like my oratorio Novae de infinito laudes, this work, too, has been influenced by the human world and the scenery of Rome, indeed, perhaps even by the greater hardness of the roman language compared t...
Like my oratorio Novae de infinito laudes, this work, too, has been influenced by the human world and the scenery of Rome, indeed, perhaps even by the greater hardness of the roman language compared t...
- Orchestra
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- Organ and Orchestra
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- Organ and Orchestra
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In der ersten Niederschrift meiner Oper König Hirsch (1953-1956) bestand der Schluss des zweiten Akts aus einem mythischen Gespräch zwischen dem Protagonisten und der Natur. Heinz von Cramer und ich n...
In der ersten Niederschrift meiner Oper König Hirsch (1953-1956) bestand der Schluss des zweiten Akts aus einem mythischen Gespräch zwischen dem Protagonisten und der Natur. Heinz von Cramer und ich n...
- Orchestra
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In der ersten Niederschrift meiner Oper König Hirsch (1953-1956) bestand der Schluss des zweiten Akts aus einem mythischen Gespräch zwischen dem Protagonisten und der Natur. Heinz von Cramer und ich n...
In der ersten Niederschrift meiner Oper König Hirsch (1953-1956) bestand der Schluss des zweiten Akts aus einem mythischen Gespräch zwischen dem Protagonisten und der Natur. Heinz von Cramer und ich n...
- Orchestra
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- High Voice, Violin and Orchestra
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- High Voice, Violin and Orchestra
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- Orchestra
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Soli, Sprecher, Chor und Orchester
- Soloists, Choir and Orchestra
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Soli, Sprecher, Chor und Orchester
- Soloists, Choir and Orchestra
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