Classical Sheet Music for Orchestra

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

Until now, Schubert's most popular 'Youth Mass' often sounded with strings only. Then the set of parts written by Franz Schubert himself was recovered in Klosterneuburg.

Until now, Schubert's most popular 'Youth Mass' often sounded with strings only. Then the set of parts written by Franz Schubert himself was recovered in Klosterneuburg.

Until now, Schubert's most popular 'Youth Mass' often sounded with strings only. Then the set of parts written by Franz Schubert himself was recovered in Klosterneuburg.

Until now, Schubert's most popular 'Youth Mass' often sounded with strings only. Then the set of parts written by Franz Schubert himself was recovered in Klosterneuburg.

Until now, Schubert's most popular 'Youth Mass' often sounded with strings only. Then the set of parts written by Franz Schubert himself was recovered in Klosterneuburg.

Until now, Schubert's most popular 'Youth Mass' often sounded with strings only. Then the set of parts written by Franz Schubert himself was recovered in Klosterneuburg.

Schubert's last great mass, whose premiere in October 1829 he did not live to see. .

Schubert's last great mass, whose premiere in October 1829 he did not live to see. .

Schubert's last great mass, whose premiere in October 1829 he did not live to see. .

Schubert's last great mass, whose premiere in October 1829 he did not live to see. .

Schubert's last great mass, whose premiere in October 1829 he did not live to see. .

Schubert's last great mass, whose premiere in October 1829 he did not live to see. .

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.