Classical Sheet Music

This Henle edition is full of mistakes! We can freely admit this, because the odd notes here all come from Mozart himself – he consciously inserted them into his Musical Joke. In this amusing and misc...

This Henle edition is full of mistakes! We can freely admit this, because the odd notes here all come from Mozart himself – he consciously inserted them into his Musical Joke. In this amusing and misc...

This Henle edition is full of mistakes! We can freely admit this, because the odd notes here all come from Mozart himself – he consciously inserted them into his Musical Joke. In this amusing and misc...

Complete edition paperback

In contrast to Mozart, Haydn was not a keyboard virtuoso. He certainly conducted his orchestral works from the harpsichord, and also performed his own piano sonatas, but any ambition to be a concertiz...

Hummels 'Potpourri' for Violoncello and Orchestra op. 95 is part of every violoncello player's core repertoire, especially in its shortened version, the 'Fantasy'. Sprinkled with quotes from operas by...

Since the 1830s, numerous composers have experimented with hybrid forms combining elements of the symphony, concerto and free fantasia. With his Second Piano Concerto, Liszt succeeded in finding an or...

Orchestra. 2.2.2.2 / 2.2.0.0 / 2perc / timb / hp / strings

Orchestra. 2.2.2.2 / 2.0.0.0 / hp / strings

Orchestra. 3.3.2.2 / 4.2.3.0 / timb / perc / hp / strings

Russian composer and chemist Alexander Borodin (1833-1887) wrote the symphonic poem In the Steppes of Central Asia in 1880, with it premiering at the Russian Opera Orchestra in St. Petersburg under Ni...

Johannes Brahms (1833-1897) composed his Piano Concerto No. 1 in 1858 and performed the work’s debut in Hanover, Germany, in 1859, to mixed reviews. The work initially began as a sonata for two pianos...

Habanera, composed for piano in October 1885, explores a folk tune that Emmanuel Chabrier (1841-1894) collected on his five-month trip to Spain. The habanera derives its name from Havana, Cuba, charac...

Edvard Grieg (1843-1907) drew material for his NORWEGISCHE TÄNZE, Op. 35 (4 NORWEGIAN DANCES), originally scored for piano and four hands, from an 1853 collection of Norwegian folk tunes compiled by L...

Franz Joseph Haydn's (1732-1809) Symphony No. 101 in D major, Hob. 1:101, is the ninth of his twelve London symphonies. It is known as 'The Clock' due to the "ticking" rhythm that pervades the second...

The Prince of Denmark's March was composed around 1700 by Jeremiah Clarke (c. 1674-1707) , an English Baroque composer and organist of St. Paul's Cathedral, and it became one of the most enduring cere...

The Prince of Denmark's March was composed around 1700 by Jeremiah Clarke (c. 1674-1707) , an English Baroque composer and organist of St. Paul's Cathedral, and it became one of the most enduring cere...

Nicolai Rimsky-Korsakov's (1844-1908) Piano Concerto in C-sharp minor, Op. 30, was written at the request of Mily Balakirev and was premiered at one of his Free Music School concerts in St. Petersburg...

Written by Camille Saint-Saëns (1835-1921) in 1869, the Piano Concerto No. 3 in E-flat Major, Op. 29 follows the standard concerto form while experimenting with harmony. Premiered on November 27th, 18...

Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...

In 1888, Erik Satie (1866-1925) completed his TROIS GYMNOPÉDIES, three lilting, dream-like exercises for solo piano. They were published separately, the second one appearing last in 1895. Working as a...

Richard Strauss (1864-1949) composed his Symphonia Domestica, Op. 53 (TrV 209) in 1902-1903, creating one of his most expansive and personal tone poems, a richly orchestrated portrait of a day in the...

Fatum, Op. 77 was composed in 1868 by Pyotr Ilyich Tchaikovsky (1840 - 1893) as an early symphonic poem inspired by the Romantic idea of inescapable fate, a theme that would recur throughout his later...