Classical Sheet Music
The basis for the musical text of this edition without fingerings was Henle's revised edition of Part I published in 1997 and Yo Tomita's brand new revision of Part II (spring 2007). The eminent Bach...
The basis for the musical text of this edition without fingerings was Henle's revised edition of Part I published in 1997 and Yo Tomita's brand new revision of Part II (spring 2007). The eminent Bach...
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Although people might like to think that the 'English Suites' were composed after the 'French Suites' (HN 71), 'the temperamental and in part virtuoso flow of these Suites is more characteristic of th...
Although people might like to think that the 'English Suites' were composed after the 'French Suites' (HN 71), 'the temperamental and in part virtuoso flow of these Suites is more characteristic of th...
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Hans von Bülow described Beethoven's 32 piano sonatas as 'Music's New Testament'. Since its first appearance, Henle's complete two-volume edition (HN 32 and HN 34) has been valued by specialists as th...
Hans von Bülow described Beethoven's 32 piano sonatas as 'Music's New Testament'. Since its first appearance, Henle's complete two-volume edition (HN 32 and HN 34) has been valued by specialists as th...
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Hans von Bülow described Beethoven's 32 piano sonatas as 'Music's New Testament'. Since its first appearance, Henle's complete two-volume edition (HN 32 and HN 34) has been valued by specialists as th...
Hans von Bülow described Beethoven's 32 piano sonatas as 'Music's New Testament'. Since its first appearance, Henle's complete two-volume edition (HN 32 and HN 34) has been valued by specialists as th...
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Gloomy premonitions plagued Schumann whilst he was working on his latest composition in 1839. The news that his brother Eduard was dying had deeply shaken him. 'Writing a 'Corpse Fantasy' since Monday...
Gloomy premonitions plagued Schumann whilst he was working on his latest composition in 1839. The news that his brother Eduard was dying had deeply shaken him. 'Writing a 'Corpse Fantasy' since Monday...
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- Ernst Herttrich
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As an avowed Schubert fan, Franz Liszt liked to perform transcriptions of Schubert’s songs in his piano recitals – and indeed to such great effect that publishers began to take notice. Starting in 183...
As an avowed Schubert fan, Franz Liszt liked to perform transcriptions of Schubert’s songs in his piano recitals – and indeed to such great effect that publishers began to take notice. Starting in 183...
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- Evgeny Kissin
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As an avowed Schubert fan, Franz Liszt liked to perform transcriptions of Schubert’s songs in his piano recitals - and indeed to such great effect that publishers began to take notice. Starting in 183...
As an avowed Schubert fan, Franz Liszt liked to perform transcriptions of Schubert’s songs in his piano recitals - and indeed to such great effect that publishers began to take notice. Starting in 183...
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- Evgeny Kissin
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As an avowed Schubert fan, Franz Liszt was fond of performing transcriptions of Schubert’s songs in his piano recitals – and indeed to such great effect that publishers began to take notice. Starting...
As an avowed Schubert fan, Franz Liszt was fond of performing transcriptions of Schubert’s songs in his piano recitals – and indeed to such great effect that publishers began to take notice. Starting...
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- Evgeny Kissin
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As an avowed Schubert fan, Franz Liszt also liked to play transcriptions of Schubert’s songs in his piano recitals. He initially had an arrangement of the "Trout" by Stephen Heller in his repertoire,...
As an avowed Schubert fan, Franz Liszt also liked to play transcriptions of Schubert’s songs in his piano recitals. He initially had an arrangement of the "Trout" by Stephen Heller in his repertoire,...
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- Evgeny Kissin
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'I wish to do it to reflect the character of Mad:selle Rose,' Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannab...
'I wish to do it to reflect the character of Mad:selle Rose,' Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannab...
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- Hans-Martin Theopold
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This edition with over 50 pages contains the universally known selection of easy preludes and little fugues that has proved extremely successful in teaching the piano. Bach's sons, with Wilhelm Friede...
This edition with over 50 pages contains the universally known selection of easy preludes and little fugues that has proved extremely successful in teaching the piano. Bach's sons, with Wilhelm Friede...
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This 'Lament, or the maiden and the nightingale' is the fourth movement of Granados' six-part piano cycle Goyescas (1909-11). The cycle's title is derived from the name of the Spanish painter Francisc...
This 'Lament, or the maiden and the nightingale' is the fourth movement of Granados' six-part piano cycle Goyescas (1909-11). The cycle's title is derived from the name of the Spanish painter Francisc...
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The title of Ravel's Miroirs (1904/05) can be interpreted as 'reflections' of the human world of experiences. Among the nature pictures in this cycle, 'Une barque sur l'océan' is particularly popular,...
The title of Ravel's Miroirs (1904/05) can be interpreted as 'reflections' of the human world of experiences. Among the nature pictures in this cycle, 'Une barque sur l'océan' is particularly popular,...
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Fauré's 13 Nocturnes form the most significant group of piano character pieces in his oeuvre. Despite their title - which places them in the tradition of John Field and Frédéric Chopin - Fauré here de...
Fauré's 13 Nocturnes form the most significant group of piano character pieces in his oeuvre. Despite their title - which places them in the tradition of John Field and Frédéric Chopin - Fauré here de...
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- Rolf Koenen
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With opuses 1, 2, 4, 5, and 10, this volume contains virtually all of Johannes Brahms' early piano oeuvre, with which the budding composer and pianist introduced himself to the public. The Scherzo op....
With opuses 1, 2, 4, 5, and 10, this volume contains virtually all of Johannes Brahms' early piano oeuvre, with which the budding composer and pianist introduced himself to the public. The Scherzo op....
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Many a pianist will be surprised to learn that Dvořák's famous Humoresque no. 7 was originally a piano piece, since this irresistible melody - undoubtedly one of Dvořák's happiest inspirations - has c...
Many a pianist will be surprised to learn that Dvořák's famous Humoresque no. 7 was originally a piano piece, since this irresistible melody - undoubtedly one of Dvořák's happiest inspirations - has c...
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- Jacob Leuschner
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This piece is straightforward in its construction but highly advanced in its harmonies, and links up with the widely popular, 19th-century tradition of the 'night piece' or 'nocturne' for piano. Its t...
This piece is straightforward in its construction but highly advanced in its harmonies, and links up with the widely popular, 19th-century tradition of the 'night piece' or 'nocturne' for piano. Its t...
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- Hans-Martin Theopold
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As astonishing as it might sound, Mozart was already composing piano sonatas (K. 6-9) at the age of seven. It is wonderfully fresh and varied music. We have already published Urtext editions of these...
As astonishing as it might sound, Mozart was already composing piano sonatas (K. 6-9) at the age of seven. It is wonderfully fresh and varied music. We have already published Urtext editions of these...
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- Ariane Haering
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In 1764 the eight-year-old Mozart wrote the Sonatas K. 10-15 in London. Leopold Mozart was only able to understand his son's musical genius in terms of it being a God-given wonder: 'That my boy ... kn...
In 1764 the eight-year-old Mozart wrote the Sonatas K. 10-15 in London. Leopold Mozart was only able to understand his son's musical genius in terms of it being a God-given wonder: 'That my boy ... kn...
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- Ariane Haering
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The Six Sonatas for Piano K. 26-31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These...
The Six Sonatas for Piano K. 26-31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These...
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- Ariane Haering
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Bach's death meant that the Art of Fugue was left unfinished. In his father's manuscript Carl Philipp Emanuel noted exactly where the last fugue of the Art of Fugue broke off: 'While working on this f...
Bach's death meant that the Art of Fugue was left unfinished. In his father's manuscript Carl Philipp Emanuel noted exactly where the last fugue of the Art of Fugue broke off: 'While working on this f...
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Scriabin's third piano sonata is an early composition that was still fully written in the romantic tradition. For a long time it has been part of the core piano literature - and rightly so. In additio...
Scriabin's third piano sonata is an early composition that was still fully written in the romantic tradition. For a long time it has been part of the core piano literature - and rightly so. In additio...
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- Michael Schneidt
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It is, aside from two passages, one of Beethoven's easiest; but as far as the performance of individual passages and its whole spirit is concerned, requires every kind of care', thus wrote a contempor...
It is, aside from two passages, one of Beethoven's easiest; but as far as the performance of individual passages and its whole spirit is concerned, requires every kind of care', thus wrote a contempor...
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- Murray Perahia
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The Clavierübung published in four sections belongs to the few works of Bach that he allowed to be printed during his lifetime. Part I, which appeared in print in 1731, contains the six Partitas; Part...
The Clavierübung published in four sections belongs to the few works of Bach that he allowed to be printed during his lifetime. Part I, which appeared in print in 1731, contains the six Partitas; Part...
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Clementi not only dedicated himself to the piano as a virtuoso and composer but also as a teacher, music publisher and instrument maker - so it is no wonder that he was referred to as the 'Father of t...
Clementi not only dedicated himself to the piano as a virtuoso and composer but also as a teacher, music publisher and instrument maker - so it is no wonder that he was referred to as the 'Father of t...
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- Hans-Martin Theopold
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