Classical Sheet Music
OTELLO marked Giuseppe Verdi's return to composing following his first retirement after writing AIDA. This retelling of Shakespeare's classic revenge tale was originally titled IAGO, after the Moorish...
OTELLO marked Giuseppe Verdi's return to composing following his first retirement after writing AIDA. This retelling of Shakespeare's classic revenge tale was originally titled IAGO, after the Moorish...
- 9 Soloists, Choir and Chamber Orchestra
- Director's Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
OTELLO marked Giuseppe Verdi's return to composing following his first retirement after writing AIDA. This retelling of Shakespeare's classic revenge tale was originally titled IAGO, after the Moorish...
OTELLO marked Giuseppe Verdi's return to composing following his first retirement after writing AIDA. This retelling of Shakespeare's classic revenge tale was originally titled IAGO, after the Moorish...
- 9 Soloists, Choir and Chamber Orchestra
- Director's Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Symphony No. 6 in A minor by Gustav Mahler was composed between 1903 and 1904 (rev. 1906; scoring repeatedly revised). The work's first performance was conducted by Mahler in Essen in 1906. The tragic...
Symphony No. 6 in A minor by Gustav Mahler was composed between 1903 and 1904 (rev. 1906; scoring repeatedly revised). The work's first performance was conducted by Mahler in Essen in 1906. The tragic...
- Chamber Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Symphony No. 6 in A minor by Gustav Mahler was composed between 1903 and 1904 (rev. 1906; scoring repeatedly revised). The work's first performance was conducted by Mahler in Essen in 1906. The tragic...
Symphony No. 6 in A minor by Gustav Mahler was composed between 1903 and 1904 (rev. 1906; scoring repeatedly revised). The work's first performance was conducted by Mahler in Essen in 1906. The tragic...
- Chamber Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Written between the autumn of 1900 and April 1901, Sergei Rachmaninoff's Concerto for Piano No. 2 remains one of the composer's most enduringly popular pieces and cemented his reputation as composer o...
Written between the autumn of 1900 and April 1901, Sergei Rachmaninoff's Concerto for Piano No. 2 remains one of the composer's most enduringly popular pieces and cemented his reputation as composer o...
- Piano and Chamber Orchestra
- Director's Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Camille Saint-Saëns (1835-1921) composed his CELLO CONCERTO No. 1 in A minor, Op. 33, for Belgian cellist, instrument maker, and friend Auguste Tolbecque in 1872, at the age of 37. Premiered by Tolbec...
Camille Saint-Saëns (1835-1921) composed his CELLO CONCERTO No. 1 in A minor, Op. 33, for Belgian cellist, instrument maker, and friend Auguste Tolbecque in 1872, at the age of 37. Premiered by Tolbec...
- Cello and Chamber Orchestra
- Director's Score
- Nancy M. Bradburd
- Edwin F. Kalmus
-
ships within 2-4 weeks
Camille Saint-Saëns (1835-1921) composed his CELLO CONCERTO No. 1 in A minor, Op. 33, for Belgian cellist, instrument maker, and friend Auguste Tolbecque in 1872, at the age of 37. Premiered by Tolbec...
Camille Saint-Saëns (1835-1921) composed his CELLO CONCERTO No. 1 in A minor, Op. 33, for Belgian cellist, instrument maker, and friend Auguste Tolbecque in 1872, at the age of 37. Premiered by Tolbec...
- Cello and Chamber Orchestra
- Score and Parts
- Nancy M. Bradburd
- Edwin F. Kalmus
-
ships within 2-4 weeks
The longest and best known of his four orchestral suites, SUITE NO. 3 in G Major, Op. 55 was written and orchestrated between April and July 1884. Unoriginally uncertain if his new large scale work wo...
The longest and best known of his four orchestral suites, SUITE NO. 3 in G Major, Op. 55 was written and orchestrated between April and July 1884. Unoriginally uncertain if his new large scale work wo...
- Chamber Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
LA TRAVIATA (THE FALLEN WOMAN), an opera in three acts by Giuseppe Verdi (1813-1901), is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas. The opera was originall...
LA TRAVIATA (THE FALLEN WOMAN), an opera in three acts by Giuseppe Verdi (1813-1901), is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas. The opera was originall...
- Chamber Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
LA TRAVIATA (THE FALLEN WOMAN), an opera in three acts by Giuseppe Verdi (1813-1901), is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas. The opera was originall...
LA TRAVIATA (THE FALLEN WOMAN), an opera in three acts by Giuseppe Verdi (1813-1901), is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas. The opera was originall...
- Chamber Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
H.M.S. PINAFORE; or, The Lass That Loved a Sailor is a comic two-act opera and the fourth opera collaboration between composer Arthur Sullivan and librettist W. S. Gilbert. Lampooning British social c...
H.M.S. PINAFORE; or, The Lass That Loved a Sailor is a comic two-act opera and the fourth opera collaboration between composer Arthur Sullivan and librettist W. S. Gilbert. Lampooning British social c...
- 9 Soloists, Choir and Chamber Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged...
Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged...
- Soloists (SATB), Mixed Choir (SSATB) and Chamber Orchestra
- Score
- Karl Straube
- Edwin F. Kalmus
-
ships within 2-4 weeks
Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged...
Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged...
- Soloists (SATB), Mixed Choir (SSATB) and Chamber Orchestra
- Score and Parts
- Karl Straube
- Edwin F. Kalmus
-
ships within 2-4 weeks
This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan. Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-3-3-3)...
This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan. Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-3-3-3)...
- Soloists, Choir and Chamber Orchestra
- Score (Urtext)
- Kurt Soldan
- Edwin F. Kalmus
-
ships within 2-4 weeks
This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan. Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-3-3-3)...
This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan. Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-3-3-3)...
- Soloists, Choir and Chamber Orchestra
- Score and Parts (Urtext)
- Kurt Soldan
- Edwin F. Kalmus
-
ships within 2-4 weeks
The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864....
The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864....
- Piano and Chamber Orchestra
- Score
- Ferruccio Busoni
- Edwin F. Kalmus
-
ships within 2-4 weeks
The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864....
The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864....
- Piano and Chamber Orchestra
- Score and Parts
- Ferruccio Busoni
- Edwin F. Kalmus
-
ships within 2-4 weeks
- Chamber Orchestra
- Director's Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Gioachino Rossini (1792-1868) began work on his version of the traditional hymn, Stabat Mater, in 1831 at the request of one Fernández Varela. As ill health kept Rossini from completing the commission...
Gioachino Rossini (1792-1868) began work on his version of the traditional hymn, Stabat Mater, in 1831 at the request of one Fernández Varela. As ill health kept Rossini from completing the commission...
- Soloists, Mixed Choir and Chamber Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...
The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...
- Soloists (SA), Mixed Choir (SATB) and Chamber Orchestra
- Score
- Clayton Westermann
- Edwin F. Kalmus
-
ships within 2-4 weeks
Ludwig van Beethoven composed the concert aria Ah! perfido (Ah! Deceiver), Op. 65 for soprano and orchestra in 1796. Beethoven sets verses by Roman court poet Pietro Metastasio (1729-1782; real name P...
Ludwig van Beethoven composed the concert aria Ah! perfido (Ah! Deceiver), Op. 65 for soprano and orchestra in 1796. Beethoven sets verses by Roman court poet Pietro Metastasio (1729-1782; real name P...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Ludwig van Beethoven composed the concert aria Ah! perfido (Ah! Deceiver), Op. 65 for soprano and orchestra in 1796. Beethoven sets verses by Roman court poet Pietro Metastasio (1729-1782; real name P...
Ludwig van Beethoven composed the concert aria Ah! perfido (Ah! Deceiver), Op. 65 for soprano and orchestra in 1796. Beethoven sets verses by Roman court poet Pietro Metastasio (1729-1782; real name P...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
George Frideric Handel (1685-1759) composed THE MESSIAH in 1741 - it is widely regarded as his most popular work. In 1789, Baron Gottfried Van Swieten commissioned Mozart to create a modernized versio...
George Frideric Handel (1685-1759) composed THE MESSIAH in 1741 - it is widely regarded as his most popular work. In 1789, Baron Gottfried Van Swieten commissioned Mozart to create a modernized versio...
- Choir and Chamber Orchestra
- Score
- Wolfgang Amadeus Mozart
- Edwin F. Kalmus
-
ships within 2-4 weeks
Gustav Mahler (1860-1911) began composing the songs of Des Knaben Wunderhorn (The Boy's Magic Horn) in 1892, finishing in 1901. Comprised of 15 songs total by the end, each sets folktale texts, as pub...
Gustav Mahler (1860-1911) began composing the songs of Des Knaben Wunderhorn (The Boy's Magic Horn) in 1892, finishing in 1901. Comprised of 15 songs total by the end, each sets folktale texts, as pub...
- Solo and Chamber Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Gustav Mahler (1860-1911) began composing the songs of Des Knaben Wunderhorn (The Boy's Magic Horn) in 1892, finishing in 1901. Comprised of 15 songs total by the end, each sets folktale texts, as pub...
Gustav Mahler (1860-1911) began composing the songs of Des Knaben Wunderhorn (The Boy's Magic Horn) in 1892, finishing in 1901. Comprised of 15 songs total by the end, each sets folktale texts, as pub...
- Solo and Chamber Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
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