Classical Sheet Music

Why choose Trinity's Singing grades? Extensive and varied repertoire exploring a wide range of styles and genres. Well-known folk and classical songs through to showstopper hits from the newest West E...

Liszt komponierte und veröffentlichte die "Romance oubliée" 1881 für Klavier solo, für Violine oder Viola oder Violoncello und Klavier. Die dort verwendeten Tonarten waren G-Dur und E-Dur. In der Ausg...

Aus der Praxis für die Praxis: Vereinfachte Klavierbegleitungen zu Standardwerken verschiedener Instrumente ermöglichen auch Klavierspielenden ohne Studium die Möglichkeit, ihre SchülerInnen, Kinder,...

Aus der Praxis für die Praxis: Vereinfachte Klavierbegleitungen zu Standardwerken verschiedener Instrumente ermöglichen auch Klavierspielenden ohne Studium die Möglichkeit, ihre SchülerInnen, Kinder,...

From practice for practice: "dumb it down" is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without studies the opportunity to a...

Carl Stamitz (1746 - 1801), a contemporary of Mozart and Haydn and the son of the violinist and composer Johann Stamitz, worked at the Mannheim court before traveling Europe as a violin virtuoso and c...

Violoncello, Basso continuo - Spielpartitur; Einzelstimme

Violoncello, Basso continuo - Spielpartitur; Einzelstimme

Violoncello, Basso continuo - Spielpartitur; Einzelstimme

This composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Fauré's middle creative period and was first published simultaneously in France and England in 1898, reflect...

This single-movement sonata for cello and piano, Evgeny Kissin's Opus 2, evokes a sombre, melancholic ballad. The approximately ten-minute work from 2016 places high demands on both instrumentalists i...

At the beginning of the 1870s, Saint-Saëns showed a particular fondness for the violoncello. He completed his first cello sonata in December 1872, immediately after finishing his first cello concerto...

This brief, utterly charming and tuneful piece was probably committed to paper in 1894, though Fauré based it on an older version for cello and organ. The subsequent tempo change to 'Andante quasi All...

Without a doubt, Dvořák's melodious cello concerto numbers among the most popular of its kind. It is hard to imagine that the Musical Times harboured little hope that it would remain in the repertoire...

After the first cello sonata of 1872 (HN 1057) quickly became popular, the publisher kept urging the composition of a second sonata for this instrumentation. But it was not until March 1905, in the mi...

Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for cello and piano in early 1917, thus realising a long-conceived plan. In their predisposition and attitu...

In contrast to the first cello sonata (HN1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the sta...

Just a few months after completing his Cello Sonata op. 6, Strauss composed another work for this instrument: a Romance for cello and orchestra, which remained unpublished during his lifetime. Accordi...

Of Beethoven's five cello sonatas, the Grande Sonate op. 69, published in 1809, is not only the centrepiece, but also musically the most significant. The artful coupling of the two instruments is on d...

Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven's late style. One reviewer of the original edition noted in 1818 that they 'doubtless number a...

Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven's late style. One reviewer of the original edition noted in 1818 that they 'doubtless number a...

Like Elgar's Salut d'amour, the two 'chansons' are amongst his most popular melodies. The dreamy Chanson de nuit and its cheerful counterpart Chanson de matin are often performed together. Composer an...

The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Marcello's name are to the present day firmly established in the cello repertoire. Although Marcello's authorship is not un...