Classical Sheet Music

A high energy piece for two mallets with a driving 7/8 feel throughout. Fun to play, medium.

A four mallet solo in 3/4 which employs sixteenth note patterns and achieves a mystical effect. Intermediate level.

A whimsical and energetic exploration of various moods and textures for the marimba. A solo for four mallets, medium.

An unaccompanied marimba solo for three mallets, two in the right hand and one in the left hand. Much individual use of three mallets as well as chordal use of three mallets. Medium.

A solo for marimba with piano accompaniment. Mostly for two mallets, but one variation requires four mallets.

A solo in sonata-allegro form for marimba and piano. Two mallets throughout. A string orchestra accompaniment is available on a rental basis. Medium.

An unaccompanied marimba solo for four mallets. Rolling throughout, a study in sustained sonorites. Medium.

Unaccompanied, two mallets, easy. Playable on a four octave marimba and can be played using two or four mallets. Counterpoint between two voices is the main feature in this solo.

An unaccompanied marimba solo. Four mallets throughout, with some independent use of each mallet. Playable on a four octave marimba using four mallets. Medium.

Unaccompanied, four mallets, medium-difficult. Uses four note intervalic phrases to help the player develop independence in four mallet playing and is playable on a four octave marimba.

Three atonal compositions, each with its own character and difficulties. They may be performed individually or combined as a Suite. Ideal for recital.

An unaccompanied four mallet marimba solo for the intermediate level marimba student. It incorporates fundamental mallet technique in a way that's fun to practice and play. Intermediate level.

Yellow After The Rain (1971) was written by the late, great Mitchell Peters (1935 - 2017), a musician who achieved renown for his time with the Los Angeles Philharmonic and eminence for his illustriou...

Work for Vibraphone (without motor) by George Frideric Handel, here arranged by Bent Lylloff.

Suite III BWV 1009

Siegfried Fink hatte die Transkription der vorliegenden Ausgabe dem Spanier Xavier Joaquin übertragen, ehemals Schüler von Fink.

Siegfried Fink hatte die Transkription der vorliegenden Ausgabe dem Spanier Xavier Joaquin übertragen, ehemals Schüler von Fink.

Die Reihe JUNIOR PERCUSSION ist aus der Praxis für die Praxis entstanden. Die Stücke sind Schülern an einer Musikschule 'auf den Leib' geschrieben worden. Diese ansprechende Sammlung an kurzen und lei...

Whoever suspected a string quartet would have a stirring arrangement of Oceans to add to their repertoire? Richard Nichols has provided a wonderful surprise for any worship service. He has taken this...

Michael Haydn (1737-1806), younger brother of Josef Haydn, had been in the employ of Colloredo, Archbishop in Salzburg as Court Composer and Leader (Concertmaster) of the court orchestra. In 1783, he...

Michael Haydn (1737-1806), younger brother of Josef Haydn, had been in the employ of Colloredo, Archbishop in Salzburg as Court Composer and Leader (Concertmaster) of the court orchestra. In 1783, he...

This collection of 25 original violin and viola duets (grade 3-4) is an absolute “must” for every string teacher's library, for classroom practice or for contest.