Classical String Bass Sheet Music

Introduzione e Allegretto giocoso by Paolo Baratto is a work full of contrasts and liveliness. It begins with an expressive Introduzione in which each motif seems to emerge from a subtle interplay of...

From a technical standpoint, "Don Quixote", this enchanting suite, enables soloists and pianists whose instrumental proficiency falls between the end of Level 1 and the beginning of Level 2 (on a scal...

From a technical standpoint, "Don Quixote", this enchanting suite, enables soloists and pianists whose instrumental proficiency falls between the end of Level 1 and the beginning of Level 2 (on a scal...

Song Without Words by Paolo Baratto is a lyrical and expressive work full of sensitivity. True to its title, it lets the music speak entirely without words. The melody unfolds naturally in a calm and...

Song Without Words by Paolo Baratto is a lyrical and expressive work full of sensitivity. True to its title, it lets the music speak entirely without words. The melody unfolds naturally in a calm and...

Song Without Words by Paolo Baratto is a lyrical and expressive work full of sensitivity. True to its title, it lets the music speak entirely without words. The melody unfolds naturally in a calm and...

Song Without Words by Paolo Baratto is a lyrical and expressive work full of sensitivity. True to its title, it lets the music speak entirely without words. The melody unfolds naturally in a calm and...

Nicholas Recuber's transcription of Georg Philipp Telemann's Fantasies for Double Bass promises to bridge the gap between the famous double bass sonatas by Marcello and Telemann and the cello suites o...

This double-bass duet book is chock full of fun, perfect for student recitals. With tons of fun and approachable duets appropriate for high school bassists, this book is an essential for the double ba...

The 26 compatible duets in this collection span 200 years of repertoire, featuring works from the Baroque, Classical, and Romantic periods. The arrangements are drawn from a variety of sources, includ...

Playing duets is a great way to learn how to play in a chamber-music setting, and this unique collection gives students the opportunity to do it with anyone else who plays a string instrument, making...

The goal of this book is to help bassists expand their tonal vocabularies: to learn to make a wide variety of colors and shapes with music. The left hand makes no sound; it is the bow that creates art...

Der ehemalige Findeisen-Schüler Erich Hartmann berichtete, es konnte im Unterricht durchaus vorkommen, dass Findeisen am Klavier spontan zum Spiel seiner Schüler improvisierte. So hate Findeisen urspr...

Klavierbegleitung für Solo- und Orchesterstimmung

Dado que muchos métodos de contrabajo se limitan a enseñar ejercicios y estudios un tanto monótonos, nuestra idea era amenizar los ejercicios de posiciones de 1⁄2 hasta VII con piezas de interpreta...

Each era has its own style, character and expression. So it is my concern with this series "Baroque Editions" to give suggestions for playing with vibrato and to give impulses for playing with differe...

Each era has its own style, character and expression. So it is my concern with this series "Baroque Editions" to give suggestions for playing with vibrato and to give impulses for playing with differe...

Each era has its own style, character and expression. So it is my concern with this series "Baroque Editions" to give suggestions for playing with vibrato and to give impulses for playing with differe...

Thirteen pieces for the beginner double bass player that will provide playing fun based on sound principles for this grand instrument. It contains short pieces by both classical and more contemporary...

Erstdruck: - Das hier vorliegende Konzert Nr. 16 (T 16) ist vollständig in der von Spergers Hand gefertigten Partitur im Original erhalten. Es steht, wie die meisten Kontrabasskonzerte der Wiener Klas...

Meisterhaft ist seine vollkommen beherrschte Behandlung der orchestralen Begleitung. Reduzierte Streicherbesetzungen und teilweise ohne Bläser lassen dem Solokontrabass immer den klanglichen Vorrang....