Cole Porter Jazz Ensemble Sheet Music

Here is a very different take on Cole Porter's Night and Day. This Ted Heath (Vocalion CDLK 4228) chart features Drums, the Trumpet section and two Trombones. The Trumpet section takes the opening ver...

Here is our transcription of the Anita O'Day version if Cole Porter's 'I Love You'. The original arrangement was by Billy May, from the 1959 'Anita O'Day Swings Cole Porter with Billy May' album. Thou...

Transcribed from Ella's Cole Porter Songbook album, this chart features your vocalist, Rhythm and Trombone sections only. The Saxes and Trumpets sit this one out. All of the background supporting figu...

Bill Holman's arrangement, from the Maynard Ferguson Band Boy With Lots Of Brass recording, is a wonderful medium-swing tune with solo space for piano, alto, and trumpet. This chart spans the spectrum...

Bill Holman's arrangement, from the Maynard Ferguson Band 'Boy With Lots Of Brass' recording, is a wonderful medium-swing tune with solo space for piano, alto, and trumpet. This chart spans the spectr...

This Al Cohn arrangement, from the Maynard Ferguson Band 'Boy With Lots Of Brass' CD, is a wonderful medium-swing tune. This chart is loaded with Al's supreme musical taste and sense of humor. There i...

As recorded by the Stan Kenton Orchestra on Adventures In Standards, this is a medium-swing chart on a great tune. Lennie uses a neat vamp in the trombones to offset the melody in the saxes. The full...

This was recorded by the Stan Kenton Orchestra on Back To Balboa, and it is a highly original, exciting chart (latin/swing) on a great standard tune. Johnny Richards wrote for Kenton as well as anyone...

This may be the all-time greatest jazz arrangement of a standard tune. Recorded on the Contemporary Concepts LP, this great standard is turned into a marvelous vehicle for solo statements from alto, t...

When Lennie arranged for the Stan Kenton Orchestra, he was able to capture the Kenton sound without a lot of high-range problems or difficult concerns for the players. Solo space for trombone. Recorde...

Originalarrangement von der CD 'That's My Band - Swing it! Vol. 3'

Arranger Dave Rivello treats this great tune as a jazz waltz. It has great energy, a rich texture, contemporary harmony, an alto 1 solo (written-out) and lead trumpet range is to written A above the s...

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You'll love this swinger that is played around 168 BPM. This chart is outstanding, the song is a jazz standard, the lead trumpet range is to written F-sharp, and written-out solos are provided for alt...

A contemporary version of this standard arranged in a funky groove played around 136 BPM with the groove going into a boogaloo occasionally. Lead trumpet range it to written A above the staff, and sam...

A swinger on a great jazz standard. Played around 160 BPM, this chart is packed with solis for all sections, especially saxes. Lead trumpet range is to written G on top of the staff. Then, add suggest...

Check out this easy-going chart that swings at 132 BPM. This great Cole Porter standard is arranged with written tenor, trumpet, and alto solos with an alto cadenza. The lead trumpet range is to writt...

Here is a classy transcription of Frank Sinatra's version of Night and Day, taken down by Jon Harpin from the original Nelson Riddle chart. The Riddle touch is much in evidence, with much of the figur...

Basierend auf der Fassung auf Michael Bublés 'It's Time'. Enthält opt. Stimmen: Violine 1 und 2, Viola, Cello, 2 Flöten und 2 Klarinetten

Too Darn Hot was written by Cole Porter for the 1948 musical 'Kiss Me Kate' and was featured by Ella Fitzgerald on her Cole Porter Songbook album, with the original arrangement by Buddy Bregman. We ha...

Adapted from Ella Fitzgerald's Cole Porter Songbook recording, this chart is laid back, relaxed and easy to play. It would make a good 'change-of-pace chart' for a concert setting or live gig. The arr...

This chart of Night and Day is transcribed and adapted from Artie Shaw's April 1937 RCA session, the original arrangement being penned by Jerry Gray. The band then consisted of 5 Brass, 4 Reeds, 4 Rhy...

Cole Porter penned some fabulous songs. My Heart Belongs to Daddy was written for the 1938 musical, Leave it to Me, and has a wonderfully naughty lyric where 'daddy' means 'sugar daddy'. Our arrangeme...