Concert Arias Sheet Music

These songs were written at the special wish of Her Majesty the Queen for her mother's seventy-fifth birthday, August 4th 1975. Its first public performance was given on the 9th January 1976, at Schlo...

The story of the American folk hero follows the development of the American continent from virgin forest to civilization. It does so in a deliberately eclectic style. Spoken dialogue is interspersed w...

These four songs are taken from A Birthday Hansel Op.92 which was written at the special wish of Her Majesty The Queen for her mother's seventy-fifth birthday, 4th August 1975. All of the songs are wo...

1. Beware! (Henry Longfellow from the German) 2. O That I had ne'er been married (Robert Burns) 3. Epitaph: The Clerk (Herbert Asquith)

A terrific collection that brings together nine of Britten's previously unpublished songs, written over a period of 25 years from 1935 onwards. Many were originally intended to be part of song-cyles b...

A terrific collection that brings together nine of Britten's previously unpublished songs, written over a period of 25 years from 1935 onwards. Many were originally intended to be part of song-cyles b...

Lyrics, rhymes and riddles by William Soutar for Tenor and Piano.

Five songs by Pelham Humphrey, William Croft, John Blow and Jeremiah Clarke all realised by Benjamin Britten.

Thomas Adès's Op. 1 is a romantic, fanciful, finely wrought response to colourful 'minor poems' of T.S. Eliot, with ingenuities unobtrusively tucked away into the composition. At the close of 'New Ham...

This mass setting combines powerful, dramatic writing with a melodious charm that characterises Goodall's choral music. A substantial work of moderate difficulty, it will be found valuable for both ch...

The theme tune to the BBC TV series 'The Vicar of Dibley' has already joined the ranks of best-loved TV themes - not surprising when one considers that its composer has written many other memorable th...

The ability to sing in foreign languages is a much-needed skill for singers, but few vocal training resources tackle this aspect comprehensively in one book. With this in mind, ABRSM examiners and pro...

The ability to sing in foreign languages is a much-needed skill for singers, but few vocal training resources tackle this aspect comprehensively in one book. With this in mind, ABRSM examiners and pro...

Gilbert & Sullivan's Patience was the first to be performed at the Savoy Theatre, and thus the first theatrical production in the world to be lit entirely by electric light. Thereafter, the G&S operas...

'Winter Lullabies' is a beautiful cycle of six loosely interwoven movements for solo harp/piano and uppoer voices. Although the story of the nativity lies at the core of the work - celebrating motherh...

Vocal score of the popular comic opera, Trial By Jury, composed by Arthur Sullivan and W. S. Gilbert, which premiered at the London Royalty Theatre in March 1875. Includes full vocal score (The Learne...

Inspired by the darkly surreal world of Franz Kafka, Francisco Coll's first chamber opera, Café Kafka, is an explosive gem. Taking its cue from Meredith Oakes's punchy, cleverly-assembled libretto, th...

Songs and Haiku is a previously unreleased collection of songs for mezzo-soprano and piano, published to mark what would have been Jonathan Harvey's 80th birthday in 2019. Two haiku (the first for pia...

Thomas Adès's four Purcell arrangements, Four Songs, for medium voice and piano are ideal repertoire for recitals. The collection is comprised of two of Purcell's Tempest songs 'Come Unto these Yellow...

Picture a day like this is the fourth collaboration between George Benjamin and Martin Crimp, whose acclaimed partnership produced Written on Skin, Lessons in Love and Violence, and Into the Little Hi...

Undercurrents is a compelling collection for intermediate singers (medium-high voice) that takes inspiration from myth and legend in a set of richly atmospheric songs. Written by popular education com...

The French vocal score to Benjamin Britten's The Golden Vanity for accompanied boy's voices. Instrumentation: 3 treble, 2 alto soloists, treble/alto chorus - pno - drum