Concert Arias Sheet Music
Quatuor à cordes no. 2 op. 10
- String Quartet with Vocal(s) (High Voice, 2 Violins, Viola and Cello)
- Piano Reduction (Urtext)
- Jan Philip Schulze
- G. Henle Verlag
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As with the Dichterliebe (HN549), Frauenliebe und Leben (HN547) or the song cycles with texts by Heine and Eichendorff (HN548 and 550), the Kerner Cycle op. 35 was written in 1840, Schumann’s “Liederj...
As with the Dichterliebe (HN549), Frauenliebe und Leben (HN547) or the song cycles with texts by Heine and Eichendorff (HN548 and 550), the Kerner Cycle op. 35 was written in 1840, Schumann’s “Liederj...
- Medium Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
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As with the Dichterliebe (HN549), Frauenliebe und Leben (HN547) or the song cycles with texts by Heine and Eichendorff (HN548 and 550), the Kerner Cycle op. 35 was written in 1840, Schumann’s “Liederj...
As with the Dichterliebe (HN549), Frauenliebe und Leben (HN547) or the song cycles with texts by Heine and Eichendorff (HN548 and 550), the Kerner Cycle op. 35 was written in 1840, Schumann’s “Liederj...
- Low Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
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Gounod had no qualms about arranging well-known works by earlier masters after his own fashion. Thus in 1852 he added a melody with its own operatic climax to the famous arpeggios of the C-major Prelu...
Gounod had no qualms about arranging well-known works by earlier masters after his own fashion. Thus in 1852 he added a melody with its own operatic climax to the famous arpeggios of the C-major Prelu...
- Low Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
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1840 was Schumann’s famous “year of song” that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride”, Clara Wieck-Schumann. Besides famous songs such as “...
1840 was Schumann’s famous “year of song” that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride”, Clara Wieck-Schumann. Besides famous songs such as “...
- Medium Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
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1840 was Schumann’s famous “year of song” that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride”, Clara Wieck-Schumann. Besides famous songs such as “...
1840 was Schumann’s famous “year of song” that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride”, Clara Wieck-Schumann. Besides famous songs such as “...
- Low Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
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Yet you, a man, have sensed in these songs a depth which hardly the most knowing female heart can feel! Thus an admirer wrote to Robert Schumann concerning his song cycle Frauenliebe und Leben. Schuma...
Yet you, a man, have sensed in these songs a depth which hardly the most knowing female heart can feel! Thus an admirer wrote to Robert Schumann concerning his song cycle Frauenliebe und Leben. Schuma...
- Low Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
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Yet you, a man, have sensed in these songs a depth which hardly the most knowing female heart can feel! Thus an admirer wrote to Robert Schumann concerning his song cycle Frauenliebe und Leben. Schuma...
Yet you, a man, have sensed in these songs a depth which hardly the most knowing female heart can feel! Thus an admirer wrote to Robert Schumann concerning his song cycle Frauenliebe und Leben. Schuma...
- High Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
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The Four Serious Songs, op. 121, was to be the last work Brahms published before his death. These songs are closely linked to the death of his beloved friend Clara Schumann in May 1896. It is reported...
The Four Serious Songs, op. 121, was to be the last work Brahms published before his death. These songs are closely linked to the death of his beloved friend Clara Schumann in May 1896. It is reported...
- Low Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
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To whom did Beethoven address this song cycle "An die ferne Geliebte" ("To the Distant Beloved"), which he completed at the age of 45 in April 1816? Was it to the same person, to whom his passionate l...
To whom did Beethoven address this song cycle "An die ferne Geliebte" ("To the Distant Beloved"), which he completed at the age of 45 in April 1816? Was it to the same person, to whom his passionate l...
- Medium Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
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To whom did Beethoven address this song cycle "An die ferne Geliebte" ("To the Distant Beloved"), which he completed at the age of 45 in April 1816? Was it to the same person, to whom his passionate l...
To whom did Beethoven address this song cycle "An die ferne Geliebte" ("To the Distant Beloved"), which he completed at the age of 45 in April 1816? Was it to the same person, to whom his passionate l...
- Low Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
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No singer is able to ignore Beethoven’s Adelaide. There are thousands of recordings, and many amateurs also love this lyrical setting of Friedrich von Matthisson’s poem. Matthisson himself said of it:...
No singer is able to ignore Beethoven’s Adelaide. There are thousands of recordings, and many amateurs also love this lyrical setting of Friedrich von Matthisson’s poem. Matthisson himself said of it:...
- Medium Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
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No singer is able to ignore Beethoven’s Adelaide. There are thousands of recordings, and many amateurs also love this lyrical setting of Friedrich von Matthisson’s poem. Matthisson himself said of it:...
No singer is able to ignore Beethoven’s Adelaide. There are thousands of recordings, and many amateurs also love this lyrical setting of Friedrich von Matthisson’s poem. Matthisson himself said of it:...
- Low Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
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Joseph Haydn composed a large number of songs that were pushed somewhat into the background in contrast to his other works, but are nevertheless of the highest quality. This volume contains all his ve...
Joseph Haydn composed a large number of songs that were pushed somewhat into the background in contrast to his other works, but are nevertheless of the highest quality. This volume contains all his ve...
- Piano and Voice
- Sheet Music (Urtext)
- G. Henle Verlag
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The famous ancient legend of Princess Ariadne, who is forsaken by her beloved Theseus, is a favourite subject in the history of opera. In his Italian solo cantata 'Arianna a Naxos', probably written i...
The famous ancient legend of Princess Ariadne, who is forsaken by her beloved Theseus, is a favourite subject in the history of opera. In his Italian solo cantata 'Arianna a Naxos', probably written i...
- Piano and Voice
- Sheet Music (Urtext)
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Carlo Francesco Badini (1715-1810) worked for a long time as a librettist at London's Italian opera house. In 1791, he wrote the text to Joseph Haydn's last opera 'L'anima del filosofo, ossia Orfeo ed...
Carlo Francesco Badini (1715-1810) worked for a long time as a librettist at London's Italian opera house. In 1791, he wrote the text to Joseph Haydn's last opera 'L'anima del filosofo, ossia Orfeo ed...
- 2 Voices (High) and Piano
- Sheet Music (Urtext)
- G. Henle Verlag
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It is hard to believe that all of the five works included in this edition were previously unknown to musicians. So there are in fact unknown works by Beethoven for singers to discover! The five short...
It is hard to believe that all of the five works included in this edition were previously unknown to musicians. So there are in fact unknown works by Beethoven for singers to discover! The five short...
- 4 Voices and Piano
- Sheet Music (Urtext)
- G. Henle Verlag
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Schumann was the first to set a complete cycle of Heinrich Heine's poems to music. His literary 'forks of lightning' had already fascinated Schumann when he was 17 years old. However, he only wrote op...
Schumann was the first to set a complete cycle of Heinrich Heine's poems to music. His literary 'forks of lightning' had already fascinated Schumann when he was 17 years old. However, he only wrote op...
- High Voice and Piano
- Sheet Music (Urtext)
- G. Henle Verlag
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I would like to sing myself to death like a nightingale' - 1840, Schumann's most prolific 'song year', was marked by great private upheaval. He was only able to finally marry Clara in September after...
I would like to sing myself to death like a nightingale' - 1840, Schumann's most prolific 'song year', was marked by great private upheaval. He was only able to finally marry Clara in September after...
- High Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
-
in stock
ships within 1-2 working days
1840 was Schumann's famous 'year of song' that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated 'to his dear bride', Clara Wieck-Schumann. Besides famous songs such as '...
1840 was Schumann's famous 'year of song' that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated 'to his dear bride', Clara Wieck-Schumann. Besides famous songs such as '...
- High Voice and Piano
- Piano Score (Urtext)
- G. Henle Verlag
-
-
in stock
ships within 1-2 working days
To whom did Beethoven address this song cycle 'An die ferne Geliebte' ('To the Distant Beloved'), which he completed at the age of 45 in April 1816? Was it to the same person, to whom his passionate l...
To whom did Beethoven address this song cycle 'An die ferne Geliebte' ('To the Distant Beloved'), which he completed at the age of 45 in April 1816? Was it to the same person, to whom his passionate l...
- High Voice and Piano
- Sheet Music (Urtext)
- G. Henle Verlag
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Complete edition linen
- Piano and Voice
- Score
- G. Henle Verlag
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- Piano and Voice
- Critical Comment
- G. Henle Verlag
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From the outset, Johann Wolfgang von Goethe intended music to play a role in his tragedy 'Egmont', which takes place during the uprising of the Dutch against Spanish dominion in the 16th century. Ludw...
From the outset, Johann Wolfgang von Goethe intended music to play a role in his tragedy 'Egmont', which takes place during the uprising of the Dutch against Spanish dominion in the 16th century. Ludw...
- Piano and Voice
- Piano Reduction (Urtext)
- G. Henle Verlag
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The origin of this concert aria, which is a core piece in the singer's repertoire, is swathed in mystery. We still do not know where Beethoven found the text for the aria. The text for the recitative...
The origin of this concert aria, which is a core piece in the singer's repertoire, is swathed in mystery. We still do not know where Beethoven found the text for the aria. The text for the recitative...
- High Voice and Piano
- Piano Reduction (Urtext)
- G. Henle Verlag
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