Concert Band Sheet Music from Baton Music
Vincenzo Bellini is one of the great composers of the bel canto era. The role of Norma was one of the favourites of the legendary soprano Maria Callas. (2 Sopranos and Concert Band)
Vincenzo Bellini is one of the great composers of the bel canto era. The role of Norma was one of the favourites of the legendary soprano Maria Callas. (2 Sopranos and Concert Band)
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Emmerich Kalman most beloved operetta Die Csardasfürstin had its first performance at the Vienna Johann Strauss-Theater in November 1915. Only in the German speaking countries it was performed 5000 ti...
Emmerich Kalman most beloved operetta Die Csardasfürstin had its first performance at the Vienna Johann Strauss-Theater in November 1915. Only in the German speaking countries it was performed 5000 ti...
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Emmerich Kalman most beloved operetta Die Csardasfürstin had its first performance at the Vienna Johann Strauss-Theater in November 1915. Only in the German speaking countries it was performed 5000 ti...
Emmerich Kalman most beloved operetta Die Csardasfürstin had its first performance at the Vienna Johann Strauss-Theater in November 1915. Only in the German speaking countries it was performed 5000 ti...
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During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
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During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
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During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
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During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
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The Piano Concerto No. 23, KV 488 was finished, according to Mozart's own catalogue, on March 2, 1786. The slow second movement, in ternary form, is somewhat operatic in tone. The piano begins alone w...
The Piano Concerto No. 23, KV 488 was finished, according to Mozart's own catalogue, on March 2, 1786. The slow second movement, in ternary form, is somewhat operatic in tone. The piano begins alone w...
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The Piano Concerto No. 23, KV 488 was finished, according to Mozart's own catalogue, on March 2, 1786. The slow second movement, in ternary form, is somewhat operatic in tone. The piano begins alone w...
The Piano Concerto No. 23, KV 488 was finished, according to Mozart's own catalogue, on March 2, 1786. The slow second movement, in ternary form, is somewhat operatic in tone. The piano begins alone w...
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- Bruno Peterschmitt
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The Piano Concerto No. 23, KV 488 was finished, according to Mozart's own catalogue, on March 2, 1786. The slow second movement, in ternary form, is somewhat operatic in tone. The piano begins alone w...
The Piano Concerto No. 23, KV 488 was finished, according to Mozart's own catalogue, on March 2, 1786. The slow second movement, in ternary form, is somewhat operatic in tone. The piano begins alone w...
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- Bruno Peterschmitt
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The Piano Concerto No. 23, KV 488 was finished, according to Mozart's own catalogue, on March 2, 1786. The slow second movement, in ternary form, is somewhat operatic in tone. The piano begins alone w...
The Piano Concerto No. 23, KV 488 was finished, according to Mozart's own catalogue, on March 2, 1786. The slow second movement, in ternary form, is somewhat operatic in tone. The piano begins alone w...
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The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvor(ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The fourth dance from the first s...
The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvor(ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The fourth dance from the first s...
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- Yorick De Bruycker
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The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvor(ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The fourth dance from the first s...
The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvor(ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The fourth dance from the first s...
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- Yorick De Bruycker
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The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvor(ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The fourth dance from the first s...
The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvor(ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The fourth dance from the first s...
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- Yorick De Bruycker
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The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvor(ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The fourth dance from the first s...
The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvor(ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The fourth dance from the first s...
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- Yorick De Bruycker
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Louis Ganne (1862 -1923) was a conductor and composer of French operas, operettas, ballets, and marches. Ganne was born in the Auvergne region of France and grew up in Issy-les-Moulineaux, in the subu...
Louis Ganne (1862 -1923) was a conductor and composer of French operas, operettas, ballets, and marches. Ganne was born in the Auvergne region of France and grew up in Issy-les-Moulineaux, in the subu...
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Louis Ganne (1862 -1923) was a conductor and composer of French operas, operettas, ballets, and marches. Ganne was born in the Auvergne region of France and grew up in Issy-les-Moulineaux, in the subu...
Louis Ganne (1862 -1923) was a conductor and composer of French operas, operettas, ballets, and marches. Ganne was born in the Auvergne region of France and grew up in Issy-les-Moulineaux, in the subu...
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- Jos van de Braak
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Louis Ganne (1862 -1923) was a conductor and composer of French operas, operettas, ballets, and marches. Ganne was born in the Auvergne region of France and grew up in Issy-les-Moulineaux, in the subu...
Louis Ganne (1862 -1923) was a conductor and composer of French operas, operettas, ballets, and marches. Ganne was born in the Auvergne region of France and grew up in Issy-les-Moulineaux, in the subu...
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Louis Ganne (1862 -1923) was a conductor and composer of French operas, operettas, ballets, and marches. Ganne was born in the Auvergne region of France and grew up in Issy-les-Moulineaux, in the subu...
Louis Ganne (1862 -1923) was a conductor and composer of French operas, operettas, ballets, and marches. Ganne was born in the Auvergne region of France and grew up in Issy-les-Moulineaux, in the subu...
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In 1884 Edvard Grieg composed the 'Holberg Suite', subtitled 'Suite in olden style'. It's a suite of five movements based on eighteenth-century dance forms, written to celebrate the 200th anniversary...
In 1884 Edvard Grieg composed the 'Holberg Suite', subtitled 'Suite in olden style'. It's a suite of five movements based on eighteenth-century dance forms, written to celebrate the 200th anniversary...
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- Marco Tamanini
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In 1884 Edvard Grieg composed the 'Holberg Suite', subtitled 'Suite in olden style'. It's a suite of five movements based on eighteenth-century dance forms, written to celebrate the 200th anniversary...
In 1884 Edvard Grieg composed the 'Holberg Suite', subtitled 'Suite in olden style'. It's a suite of five movements based on eighteenth-century dance forms, written to celebrate the 200th anniversary...
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- Marco Tamanini
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In 1884 Edvard Grieg composed the 'Holberg Suite', subtitled 'Suite in olden style'. It's a suite of five movements based on eighteenth-century dance forms, written to celebrate the 200th anniversary...
In 1884 Edvard Grieg composed the 'Holberg Suite', subtitled 'Suite in olden style'. It's a suite of five movements based on eighteenth-century dance forms, written to celebrate the 200th anniversary...
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In 1884 Edvard Grieg composed the 'Holberg Suite', subtitled 'Suite in olden style'. It's a suite of five movements based on eighteenth-century dance forms, written to celebrate the 200th anniversary...
In 1884 Edvard Grieg composed the 'Holberg Suite', subtitled 'Suite in olden style'. It's a suite of five movements based on eighteenth-century dance forms, written to celebrate the 200th anniversary...
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- Marco Tamanini
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Sergei Prokofiev wrote the 'Overture on Hebrew Themes', Op. 34, in 1919 while he was in the United States. It is scored for the rare combination of clarinet, string quartet and piano. Fifteen years la...
Sergei Prokofiev wrote the 'Overture on Hebrew Themes', Op. 34, in 1919 while he was in the United States. It is scored for the rare combination of clarinet, string quartet and piano. Fifteen years la...
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- Andre Bodin
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Sergei Prokofiev wrote the 'Overture on Hebrew Themes', Op. 34, in 1919 while he was in the United States. It is scored for the rare combination of clarinet, string quartet and piano. Fifteen years la...
Sergei Prokofiev wrote the 'Overture on Hebrew Themes', Op. 34, in 1919 while he was in the United States. It is scored for the rare combination of clarinet, string quartet and piano. Fifteen years la...
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- Andre Bodin
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