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Concert Band Sheet Music from Baton Music

Giacomo Puccini
from the Opera Manon Lescaut

Puccini's Opera Manon Lescaut is based on the 1731 novel L'histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost. He used some musical elements in Manon Lescaut from earlier works h...

Puccini's Opera Manon Lescaut is based on the 1731 novel L'histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost. He used some musical elements in Manon Lescaut from earlier works h...

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Giacomo Puccini
from the opera Manon Lescaut

Puccini's Opera Manon Lescaut is based on the 1731 novel L'histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost. He used some musical elements in Manon Lescaut from earlier works h...

Puccini's Opera Manon Lescaut is based on the 1731 novel L'histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost. He used some musical elements in Manon Lescaut from earlier works h...

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In the Love Scene from Hero and Leander the oboe and bassoon introduce the Love Theme. The lovemaking begins softly, but sensually, as the theme expands, it is taken up as a give-and-take dialogue by...

In the Love Scene from Hero and Leander the oboe and bassoon introduce the Love Theme. The lovemaking begins softly, but sensually, as the theme expands, it is taken up as a give-and-take dialogue by...

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  • Erik Somers
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In the Love Scene from Hero and Leander the oboe and bassoon introduce the Love Theme. The lovemaking begins softly, but sensually, as the theme expands, it is taken up as a give-and-take dialogue by...

In the Love Scene from Hero and Leander the oboe and bassoon introduce the Love Theme. The lovemaking begins softly, but sensually, as the theme expands, it is taken up as a give-and-take dialogue by...

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Victor Herbert
Love Scene

In the Love Scene from Hero and Leander the oboe and bassoon introduce the Love Theme. The lovemaking begins softly, but sensually, as the theme expands, it is taken up as a give-and-take dialogue by...

In the Love Scene from Hero and Leander the oboe and bassoon introduce the Love Theme. The lovemaking begins softly, but sensually, as the theme expands, it is taken up as a give-and-take dialogue by...

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Victor Herbert
Love Scene

In the Love Scene from Hero and Leander the oboe and bassoon introduce the Love Theme. The lovemaking begins softly, but sensually, as the theme expands, it is taken up as a give-and-take dialogue by...

In the Love Scene from Hero and Leander the oboe and bassoon introduce the Love Theme. The lovemaking begins softly, but sensually, as the theme expands, it is taken up as a give-and-take dialogue by...

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Sir William Turner Walton
Coronation March

Crown Imperial is an orchestral march by the English composer William Walton. It was first performed at the coronation of King George VI in 1937, and substantially revised in 1963. Walton composed the...

Crown Imperial is an orchestral march by the English composer William Walton. It was first performed at the coronation of King George VI in 1937, and substantially revised in 1963. Walton composed the...

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Johann Sebastian Bach

With the deepest respect for Bach's genius, Respighi accepted Toscanini's request in 1930 for a transcription of Bach's great Passacaglia and Fugue in c minor. The result was a 'Bravo Respighi!' from...

With the deepest respect for Bach's genius, Respighi accepted Toscanini's request in 1930 for a transcription of Bach's great Passacaglia and Fugue in c minor. The result was a 'Bravo Respighi!' from...

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Johann Sebastian Bach

With the deepest respect for Bach's genius, Respighi accepted Toscanini's request in 1930 for a transcription of Bach's great Passacaglia and Fugue in c minor. The result was a 'Bravo Respighi!' from...

With the deepest respect for Bach's genius, Respighi accepted Toscanini's request in 1930 for a transcription of Bach's great Passacaglia and Fugue in c minor. The result was a 'Bravo Respighi!' from...

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Johann Sebastian Bach

With the deepest respect for Bach's genius, Respighi accepted Toscanini's request in 1930 for a transcription of Bach's great Passacaglia and Fugue in c minor. The result was a "Bravo Respighi!" from...

With the deepest respect for Bach's genius, Respighi accepted Toscanini's request in 1930 for a transcription of Bach's great Passacaglia and Fugue in c minor. The result was a "Bravo Respighi!" from...

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Johann Sebastian Bach

With the deepest respect for Bach's genius, Respighi accepted Toscanini's request in 1930 for a transcription of Bach's great Passacaglia and Fugue in c minor. The result was a "Bravo Respighi!" from...

With the deepest respect for Bach's genius, Respighi accepted Toscanini's request in 1930 for a transcription of Bach's great Passacaglia and Fugue in c minor. The result was a "Bravo Respighi!" from...

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Liszt's symphonic poem Les Preludes, was based on Alphonse de Lamartine's long poem of the same name. It was his third and most famous of thirteen symphonic poems, premiered at Weimar in 1854, and it...

Liszt's symphonic poem Les Preludes, was based on Alphonse de Lamartine's long poem of the same name. It was his third and most famous of thirteen symphonic poems, premiered at Weimar in 1854, and it...

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Liszt's symphonic poem Les Preludes, was based on Alphonse de Lamartine's long poem of the same name. It was his third and most famous of thirteen symphonic poems, premiered at Weimar in 1854, and it...

Liszt's symphonic poem Les Preludes, was based on Alphonse de Lamartine's long poem of the same name. It was his third and most famous of thirteen symphonic poems, premiered at Weimar in 1854, and it...

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Liszt's symphonic poem Les Préludes, was based on Alphonse de Lamartine's long poem of the same name. It was his third and most famous of thirteen symphonic poems, premiered at Weimar in 1854, and it...

Liszt's symphonic poem Les Préludes, was based on Alphonse de Lamartine's long poem of the same name. It was his third and most famous of thirteen symphonic poems, premiered at Weimar in 1854, and it...

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Liszt's symphonic poem Les Préludes, was based on Alphonse de Lamartine's long poem of the same name. It was his third and most famous of thirteen symphonic poems, premiered at Weimar in 1854, and it...

Liszt's symphonic poem Les Préludes, was based on Alphonse de Lamartine's long poem of the same name. It was his third and most famous of thirteen symphonic poems, premiered at Weimar in 1854, and it...

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Silvestre Revueltas

Sensemayß (1938) of Mexican composer Silvestre Revueltas is a dance of archaic nature rooted in primitivism. It is a kind of Latin Rite of Spring, full of the mythological dances of the Mayas and the...

Sensemayß (1938) of Mexican composer Silvestre Revueltas is a dance of archaic nature rooted in primitivism. It is a kind of Latin Rite of Spring, full of the mythological dances of the Mayas and the...

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Silvestre Revueltas

Sensemayß (1938) of Mexican composer Silvestre Revueltas is a dance of archaic nature rooted in primitivism. It is a kind of Latin Rite of Spring, full of the mythological dances of the Mayas and the...

Sensemayß (1938) of Mexican composer Silvestre Revueltas is a dance of archaic nature rooted in primitivism. It is a kind of Latin Rite of Spring, full of the mythological dances of the Mayas and the...

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Silvestre Revueltas

Sensemayá (1938) of Mexican composer Silvestre Revueltas is a dance of archaic nature rooted in primitivism. It is a kind of Latin Rite of Spring, full of the mythological dances of the Mayas and the...

Sensemayá (1938) of Mexican composer Silvestre Revueltas is a dance of archaic nature rooted in primitivism. It is a kind of Latin Rite of Spring, full of the mythological dances of the Mayas and the...

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Silvestre Revueltas

Sensemayá (1938) of Mexican composer Silvestre Revueltas is a dance of archaic nature rooted in primitivism. It is a kind of Latin Rite of Spring, full of the mythological dances of the Mayas and the...

Sensemayá (1938) of Mexican composer Silvestre Revueltas is a dance of archaic nature rooted in primitivism. It is a kind of Latin Rite of Spring, full of the mythological dances of the Mayas and the...

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George Gershwin
for Piano and Orchestra

Rhapsody in Blue is a musical composition by George Gershwin for solo piano and jazz band written in 1924, which combines elements of classical music with jazz-influenced effects. The composition was...

Rhapsody in Blue is a musical composition by George Gershwin for solo piano and jazz band written in 1924, which combines elements of classical music with jazz-influenced effects. The composition was...

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George Gershwin
for Piano and Orchestra

Rhapsody in Blue is a musical composition by George Gershwin for solo piano and jazz band written in 1924, which combines elements of classical music with jazz-influenced effects. The composition was...

Rhapsody in Blue is a musical composition by George Gershwin for solo piano and jazz band written in 1924, which combines elements of classical music with jazz-influenced effects. The composition was...

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George Gershwin
for Piano and Orchestra

Rhapsody in Blue is a musical composition by George Gershwin for solo piano and jazz band written in 1924, which combines elements of classical music with jazz-influenced effects. The composition was...

Rhapsody in Blue is a musical composition by George Gershwin for solo piano and jazz band written in 1924, which combines elements of classical music with jazz-influenced effects. The composition was...

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George Gershwin
for Piano and Orchestra

Rhapsody in Blue is a musical composition by George Gershwin for solo piano and jazz band written in 1924, which combines elements of classical music with jazz-influenced effects. The composition was...

Rhapsody in Blue is a musical composition by George Gershwin for solo piano and jazz band written in 1924, which combines elements of classical music with jazz-influenced effects. The composition was...

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Ottorino Respighi

Respighi's Gli Uccelli (The Birds) is a suite in five movements for small orchestra. Each movement is based on themes by 17th and 18th century composers.

Respighi's Gli Uccelli (The Birds) is a suite in five movements for small orchestra. Each movement is based on themes by 17th and 18th century composers.

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Ottorino Respighi

Respighi's Gli Uccelli (The Birds) is a suite in five movements for small orchestra. Each movement is based on themes by 17th and 18th century composers.

Respighi's Gli Uccelli (The Birds) is a suite in five movements for small orchestra. Each movement is based on themes by 17th and 18th century composers.

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