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Concert Band Sheet Music from Baton Music

Gaetano Donizetti
from the Opera L'elisir d"amore

With his 'L'elisir d'amore' (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of t...

With his 'L'elisir d'amore' (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of t...

  • Concert Band (Vocal Solo (High Voice))
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  • Jos Dobbelstein
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Gaetano Donizetti
from the opera L'elisir d"amore

With his 'L'elisir d'amore' (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of t...

With his 'L'elisir d'amore' (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of t...

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  • Jos Dobbelstein
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Federico Chueca, Joaquin Valverde
Symphonic Suite From The Zarzuela

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...

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  • Oscar Senen
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Federico Chueca, Joaquin Valverde
Symphonic Suite From The Zarzuela

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...

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Federico Chueca, Joaquin Valverde
Symphonic Suite from the Zarzuela

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...

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  • Oscar Senen
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Order no.: BTM384SC
Federico Chueca, Joaquin Valverde
Symphonic Suite from the Zarzuela

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...

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  • Oscar Senen
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  • Concert Band (Solo/Feature: Rhythm Section)
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  • Jos van de Braak
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Order no.: BTM385

Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with 'Deep Purple', as well a...

Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with 'Deep Purple', as well a...

  • Concert Band (Solo/Feature: Rhythm Section)
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  • Jos van de Braak
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Johann Strauss (Sohn)
Walzer

Rosen aus dem Süden (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin inspired by a novel by Heinrich Bohrmann-R...

Rosen aus dem Süden (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin inspired by a novel by Heinrich Bohrmann-R...

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  • Roger Niese
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Johann Strauss (Sohn)

'Rosen aus dem Süden' (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta 'Das Spitzentuch der Königin' inspired by a novel by Heinrich Bohrma...

'Rosen aus dem Süden' (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta 'Das Spitzentuch der Königin' inspired by a novel by Heinrich Bohrma...

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  • Roger Niese
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Johann Strauss (Sohn)
Walzer

'Rosen aus dem Süden' (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta 'Das Spitzentuch der Königin' inspired by a novel by Heinrich Bohrma...

'Rosen aus dem Süden' (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta 'Das Spitzentuch der Königin' inspired by a novel by Heinrich Bohrma...

  • Concert Band
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  • Roger Niese
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Don Alvaro's aria 'La vita e inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He s...

Don Alvaro's aria 'La vita e inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He s...

  • Concert Band (Solo/Feature: Clarinet)
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  • Charles Yassky
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Giuseppe Verdi
from the opera La Forza del Destino

Don Alvaro's aria 'La vita e inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He s...

Don Alvaro's aria 'La vita e inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He s...

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Giuseppe Verdi
from the Opera La Forza del Destino

Don Alvaro's aria La vita è inferno all"infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He si...

Don Alvaro's aria La vita è inferno all"infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He si...

  • Concert Band (Solo/Feature: Clarinet)
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  • Charles Yassky
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Giuseppe Verdi
from the opera La Forza del Destino

Don Alvaro's aria La vita è inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He si...

Don Alvaro's aria La vita è inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He si...

  • Concert Band (Solo/Feature: Clarinet)
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  • Charles Yassky
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Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

  • Concert Band (Solo/Feature: Violin)
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  • Marco Tamanini
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Vittorio Monti
for Violin and Orchestra

Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

  • Concert Band (Solo/Feature: Violin)
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  • Marco Tamanini
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Vittorio Monti
for Violin and Orchestra

Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

  • Concert Band (Solo/Feature: Violin)
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  • Marco Tamanini
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Order no.: BTM388SC
Vittorio Monti
for Violin and Orchestra

Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

  • Concert Band (Solo/Feature: Violin)
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  • Marco Tamanini
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  • Concert Band
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  • Marco Tamanini
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Giuseppe Verdi
from the opera Rigoletto

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet 'Si, vendretta, treme...

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet 'Si, vendretta, treme...

  • Concert Band
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  • Marco Tamanini
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Giuseppe Verdi
from the Opera Rigoletto

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet "Si, vendretta, treme...

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet "Si, vendretta, treme...

  • Concert Band (Vocal Solo (High Voice) and Medium Voice)
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  • Marco Tamanini
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Order no.: BTM389SC
Giuseppe Verdi
from the opera Rigoletto

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet "Si, vendretta, treme...

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet "Si, vendretta, treme...

  • Concert Band (Vocal Solo (High Voice) and Medium Voice)
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  • Marco Tamanini
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Johan Wagenaar
Overture

Dutch composer Johan Wagenaar (1862 - 1941) parodied the conventions of Romantic opera in his own operas and secular cantatas, his music itself is staunchly Romantic in voice, little troubled by even...

Dutch composer Johan Wagenaar (1862 - 1941) parodied the conventions of Romantic opera in his own operas and secular cantatas, his music itself is staunchly Romantic in voice, little troubled by even...

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Rudy Wiedoeft
A Study In Laugh And Slap Tongue

Rudy Wiedoeft (1893-1940) was born in Detroit Michigan to a large family of musicians, with whom he began his musical studies, playing in the family orchestra which toured as a professional ensemble....

Rudy Wiedoeft (1893-1940) was born in Detroit Michigan to a large family of musicians, with whom he began his musical studies, playing in the family orchestra which toured as a professional ensemble....

  • Concert Band (Solo/Feature: Alto Saxophone)
  • Score and Parts
  • Roger Niese
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Order no.: BTM392