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Concert Band Sheet Music from Baton Music

Théodore Casimir Lalliet

'The Carnival of Venice' is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in hi...

'The Carnival of Venice' is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in hi...

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Théodore Casimir Lalliet

'The Carnival of Venice' is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in hi...

'The Carnival of Venice' is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in hi...

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Théodore Casimir Lalliet
Prelude and Variations

The Carnival of Venice is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in his...

The Carnival of Venice is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in his...

  • Concert Band (Solo/Feature: Oboe)
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  • Jos Simons
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Théodore Casimir Lalliet
Prelude and Variations

The Carnival of Venice is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in his...

The Carnival of Venice is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in his...

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  • Jos Simons
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Johann Strauss (Sohn)

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

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Johann Strauss (Sohn)

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

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Johann Strauss (Sohn)
Artist's Life

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

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Johann Strauss (Sohn)
Artist's Life

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

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'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus 'Vivat! Vivat le Torero!' is sung in the second act of th...

'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus 'Vivat! Vivat le Torero!' is sung in the second act of th...

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Georges Bizet
from the opera Carmen

'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus 'Vivat! Vivat le Torero!' is sung in the second act of th...

'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus 'Vivat! Vivat le Torero!' is sung in the second act of th...

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Georges Bizet
from the Opera Carmen

Carmen is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus "Vivat! Vivat le Toréro!" is sung in the second act of the...

Carmen is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus "Vivat! Vivat le Toréro!" is sung in the second act of the...

  • Concert Band (Solo/Feature: Men's Choir)
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Georges Bizet
from the opera Carmen

Carmen is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus "Vivat! Vivat le Toréro!" is sung in the second act of the...

Carmen is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus "Vivat! Vivat le Toréro!" is sung in the second act of the...

  • Concert Band (Solo/Feature: Men's Choir)
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Charles Gounod
from the Oratorio Mors et Vita

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

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Charles Gounod
from the Oratorio Mors et Vita

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

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Nikolai Rimski-Korsakow
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Nikolai Rimski-Korsakow
on Serbian Themes

Rimsky-Korsakov wrote his 'Fantasia on Serbian Themes' (also known as the 'Serbian Fantasy') in 1867. Mily Balakirev conducted the first performance of this piece in May of that year. The 'Fantasy' wa...

Rimsky-Korsakov wrote his 'Fantasia on Serbian Themes' (also known as the 'Serbian Fantasy') in 1867. Mily Balakirev conducted the first performance of this piece in May of that year. The 'Fantasy' wa...

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Nikolai Rimski-Korsakow
on Serbian Themes

Rimsky-Korsakov wrote his "Fantasia on Serbian Themes" (also known as the "Serbian Fantasy") in 1867. Mily Balakirev conducted the first performance of this piece in May of that year. The "Fantasy" wa...

Rimsky-Korsakov wrote his "Fantasia on Serbian Themes" (also known as the "Serbian Fantasy") in 1867. Mily Balakirev conducted the first performance of this piece in May of that year. The "Fantasy" wa...

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Nikolai Rimski-Korsakow
on Serbian Themes

Rimsky-Korsakov wrote his "Fantasia on Serbian Themes" (also known as the "Serbian Fantasy") in 1867. Mily Balakirev conducted the first performance of this piece in May of that year. The "Fantasy" wa...

Rimsky-Korsakov wrote his "Fantasia on Serbian Themes" (also known as the "Serbian Fantasy") in 1867. Mily Balakirev conducted the first performance of this piece in May of that year. The "Fantasy" wa...

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Johann Strauss (Sohn)
Quadrille

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

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  • Jacques Claessens
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Order no.: BTM465
Johann Strauss (Sohn)
Quadrille

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

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156,95 €
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Order no.: BTM465-DL
Johann Strauss (Sohn)
Quadrille

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

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Order no.: BTM465SC
Johann Strauss (Sohn)
Quadrille

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

  • Concert Band
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38,95 €
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Order no.: BTM465SC-DL
Pablo de Sarasate
for Violin and Orchestra

Pablo de Sarasate's 'Zigeunerweisen' (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

Pablo de Sarasate's 'Zigeunerweisen' (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

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187,95 €
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Order no.: BTM466
Pablo de Sarasate
for Violin and Orchestra

Pablo de Sarasate's 'Zigeunerweisen' (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

Pablo de Sarasate's 'Zigeunerweisen' (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

  • Concert Band (Solo/Feature: Violin)
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Order no.: BTM466-DL
Pablo de Sarasate

Pablo de Sarasate's "Zigeunerweisen" (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

Pablo de Sarasate's "Zigeunerweisen" (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

  • Concert Band (Solo/Feature: Violin)
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Order no.: BTM466SC