Concert Band with Vocal Solo

Gustav Mahler composed his 'Wunderhornlieder' (Songs from the Youth's Magic Horn) between 1892 and 1901. Just half of the 'Wunderhornlieder' have military subjects but beside those there are songs wit...

At the end of his life Offenbach composed his opera 'Les contes d'Hoffman', but unfortunately he was not able to finish it. The plot tells the story of the poet Hoffmann telling three of his amorous a...

At the end of his life Offenbach composed his opera 'Les contes d'Hoffman', but unfortunately he was not able to finish it. The plot tells the story of the poet Hoffmann telling three of his amorous a...

At the end of his life Offenbach composed his opera 'Les contes d'Hoffman', but unfortunately he was not able to finish it. The plot tells the story of the poet Hoffmann telling three of his amorous a...

At the end of his life Offenbach composed his opera 'Les contes d'Hoffman', but unfortunately he was not able to finish it. The plot tells the story of the poet Hoffmann telling three of his amorous a...

Lob des hohen Verstandes is one of the humorous and almost ironic Wunderhornsongs. ((Mezzo)Soprano / Baritone and Concert Band)

Lob des hohen Verstandes is one of the humorous and almost ironic Wunderhornsongs. ((Mezzo)Soprano / Baritone and Concert Band)

Richard Wagner's Fliedermonolog Was duftet doch der Flieder is sung in the second act of the Opera Die Meistersinger: Sitting outside his house on a sultry Midsummer's Eve, Hans Sachs tries to concent...

Richard Wagner's Fliedermonolog Was duftet doch der Flieder is sung in the second act of the Opera Die Meistersinger: Sitting outside his house on a sultry Midsummer's Eve, Hans Sachs tries to concent...

Gustav Mahler's first four symphonies are often referred to as the 'Wunderhorn Symphonies' because many of their themes originate in earlier songs by Mahler on texts from 'Des Knaben Wunderhorn'. His...

Gustav Mahler's first four symphonies are often referred to as the 'Wunderhorn Symphonies' because many of their themes originate in earlier songs by Mahler on texts from 'Des Knaben Wunderhorn'. His...

Gustav Mahler's first four symphonies are often referred to as the 'Wunderhorn Symphonies' because many of their themes originate in earlier songs by Mahler on texts from 'Des Knaben Wunderhorn'. His...

Gustav Mahler's first four symphonies are often referred to as the 'Wunderhorn Symphonies' because many of their themes originate in earlier songs by Mahler on texts from 'Des Knaben Wunderhorn'. His...

Richard Wagner's Fliedermonolog Was duftet doch der Flieder is sung in the second act of the Opera Die Meistersinger: Sitting outside his house on a sultry Midsummer's Eve, Hans Sachs tries to concent...

Richard Wagner's Fliedermonolog Was duftet doch der Flieder is sung in the second act of the Opera Die Meistersinger: Sitting outside his house on a sultry Midsummer's Eve, Hans Sachs tries to concent...

The Wahnmonolog Wahn! Wahn! Uberall Wahn! is sung by Hans Sachs in the first scene of the third and last act of Richard Wagner's Opera Die Meistersinger. On a sunny morning Sachs is sitting in his wor...

The Wahnmonolog Wahn! Wahn! Uberall Wahn! is sung by Hans Sachs in the first scene of the third and last act of Richard Wagner's Opera Die Meistersinger. On a sunny morning Sachs is sitting in his wor...

The Wahnmonolog Wahn! Wahn! Uberall Wahn! is sung by Hans Sachs in the first scene of the third and last act of Richard Wagner's Opera Die Meistersinger. On a sunny morning Sachs is sitting in his wor...

The Wahnmonolog Wahn! Wahn! Uberall Wahn! is sung by Hans Sachs in the first scene of the third and last act of Richard Wagner's Opera Die Meistersinger. On a sunny morning Sachs is sitting in his wor...

Tannhäuser is one of Richard Wagner's richest and most elaborate musical achievements. A mood of autumnal melancholy imbues the third and final act: Wolfram feels the chill hand of impending death, bu...

Tannhäuser is one of Richard Wagner's richest and most elaborate musical achievements. A mood of autumnal melancholy imbues the third and final act: Wolfram feels the chill hand of impending death, bu...

Rossini's Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas. The Cavatina 'Largo al factotum' is sung by Figaro, the barber of Sevilla, in the first act of the opera: he tells...

Rossini's Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas. The Cavatina 'Largo al factotum' is sung by Figaro, the barber of Sevilla, in the first act of the opera: he tells...

Rossini's Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas. The Cavatina 'Largo al factotum' is sung by Figaro, the barber of Sevilla, in the first act of the opera: he tells...

Rossini's Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas. The Cavatina 'Largo al factotum' is sung by Figaro, the barber of Sevilla, in the first act of the opera: he tells...