Concert Band with Vocal Solo

The exciting 'Habanera' from Bizet's opera 'Carmen' arranged by Fergal Carroll for voice and concert band.

La donna e mobile ('Woman is fickle!') - the cynical Duke of Mantua's canzone from Giuseppi Verdi's opera 'Rigoletto' arranged for tenor solo and concert band.

Laudate Dominum from Mozart's Vesperae solemnes de Confessore KV 339 arranged for soprano and concert band with optional choir.

Leo Delibes' most famous song - Les Filles de Cadiz - arranged for soprano voice and concert band by Brendan Power.

A sparkling aria by Franz Lehar from 'Giuditta' arranged for voice and concert band.

Elena's colourful aria 'Merce diletti amiche' from Giuseppi Verdi's opera 'I Vespri Siciliani' (Sicilian Vespers) arranged for solo voice and concert band (original key A minor).

Puccini's celebrated aria for tenor arranged for solo voice and concert band.

O mio babbino caro - Puccini's celebrated aria from the opera 'Gianni Schicci' in an arrangement for soprano voice and concert band by Brendan Power.

O sole mio is a Neapolitan song by Eduardo di Capua arranged for high voice and concert band by Mark Armstrong (Key G).

Pres des remparts de Seville Seguidilla from Bizet's opera Carmen arranged for solo voice and concert band. Please not the key is one semitone lower than original.

Pres des remparts de Seville Seguidilla from Bizet's opera Carmen arranged for solo voice and concert band. Please not the key is one semitone lower than original.

Soprano solo from the final moments of Verdi's Requiem arranged for soprano and concert band.

Return to Sorrento (Torna a Surriento) is a celebrated Neapolitan Song by Ernesto Di Curtis arranged for voice and concert band.

Faust's aria from the opera 'Faust' by Gounod arranged for voice and concert band.

Rusalka's 'Song to the Moon' in an arrangement for soprano voice and band.

The celebrated aria 'Vilia' ('Vilja') from Franz Léhar's operetta 'The Merry Widow' in a colourful arrangement for soprano and concert band by Brendan Power.

Vissi d'arte Tosca's aria from Act II by Puccini. Tosca thinks of her fate and of her lover's life which is at the mercy of Baron Scarpia. Arranged in the original key (Eb) for soprano and concert ban...

Lascia ch'io pianga from Handel's opera Rinaldo, arranged for soprano and concert band.

Susanna's aria Deh vieni non tardar from Mozart's opera, The Marriage of Figaro  - arranged for flute, oboe, solo clarinet, 1st, 2nd and 3rd tutti clarinets, bass clarinet, bassoon, alto saxophone and...

Nulla in mundo pax sincera, is a sacred motet composed by Vivaldi in 1735 for the Pieta. The work is in three movements and the first movement is presented here for soprano solo and concert band.

One of Daugherty's most soulful and expressive works, Songs from a Silent Land (2019) for soprano and symphonic winds is inspired by the poetry of Emily Dickinson (1830-1866) and Christina Rossetti (1...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The Csardas, sung by Rosalinde demands great virtuosity and gypsy fee...

'Someone to watch over me' is a 1926 song composed by George Gershwin. It was written for the musical 'Oh, Kay!' in 1926. The successful musical ran for more than 200 performances in New York and then...

'Someone to watch over me' is a 1926 song composed by George Gershwin. It was written for the musical 'Oh, Kay!' in 1926. The successful musical ran for more than 200 performances in New York and then...