Concert Marches for Concert Band

Strassenmarsch (Marschbuch-Format)

Strassenmarsch (Marschbuch-Format)

Strassenmarsch (Marschbuch-Format)

Strassenmarsch (Marschbuch-Format)

Strassenmarsch (Marschbuch-Format)

Strassenmarsch (Marschbuch-Format)

Strassenmarsch (Marschbuch-Format)

Strassenmarsch (Marschbuch-Format)

Strassenmarsch (Marschbuch-Format)

Strassenmarsch (Marschbuch-Format)

Trauermusik

Strassenmarsch (Marschbuch-Format)

Strassenmarsch (Marschbuch-Format)

Strassenmarsch (Marschbuch-Format)

Strassenmarsch (Marschbuch-Format)

Each of the three movements of this work uses a particular section of the North Texas State Alma Mater as its formative material, since it was commissioned in honor of Dennis Fisher and his 25 years o...

Ticonderoga is the only work that Leroy Anderson composed exclusively for band, which is certainly odd given his beginnings as a bandmaster at Harvard. First sketched in 1939, the piece was scored and...

Moving between 6/8 and 2/4 meters, this is classic Sousa and is ensemble playing throughout; no one rests from beginning to end. Solid concert fare.

In three movements (each tending more towards light rather than ponderous), this is an immensely accessible work that would be appropriate for bands of moderately advanced skills. From a 6/8 march-fee...

While John Philip Sousa was not entirely a slave to formulaic marches (in this march, for example, the introduction is an unusual twenty measures long), he did believe that marches should be paced at...

Part march, part Spanish popular music, part reflective solo trumpet cadenza, this is a lively and exciting work that will work as a welcome change of pace for any concert program. The editing is expl...

While renowned for his orchestral and piano works, Edvard Grieg composed this band work as the funeral music for his friend and colleague Rikard Nordraak. Respectfully edited for modern wind bands by...