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Concert Marches for Concert Band

Concert marches for concert band are a vibrant and essential part of the repertoire, showcasing the dynamic capabilities of wind ensembles. These compositions often blend traditional march elements with contemporary harmonies and rhythms, creating an engaging listening experience. Renowned composers such as John Philip Sousa and Karl King have contributed timeless pieces that continue to resonate with audiences today. Concert marches not only highlight the technical skills of musicians but also serve as a celebration of community and spirit during performances. With their lively tempos and memorable melodies, concert marches remain a staple in concert band programs, appealing to both performers and listeners alike.
Gaetano Donizetti

A short solo work by the Italian composer Donizetti who, in addition to his many operas, also composed a few concert works for wind instruments. Suitable for beginning soloists. (Clarinet and Concert...

A short solo work by the Italian composer Donizetti who, in addition to his many operas, also composed a few concert works for wind instruments. Suitable for beginning soloists. (Clarinet and Concert...

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Order no.: BTM022SC-DL

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

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Order no.: BTM023

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

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The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

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Order no.: BTM024

The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

  • Concert Band (Vocal Solo (High Voice))
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The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

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The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

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Felix Mendelssohn Bartholdy

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

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Order no.: BTM026
Felix Mendelssohn Bartholdy
#REF!

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

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Order no.: BTM026-DL
Felix Mendelssohn Bartholdy

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

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Order no.: BTM026SC
Felix Mendelssohn Bartholdy
#REF!

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

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Order no.: BTM026SC-DL

The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)

The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)

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Order no.: BTM027SC

The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)

The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)

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Leopold Mozart
Sleigh-Ride

In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)

In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)

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Order no.: BTM028
Leopold Mozart
Sleigh-Ride

In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)

In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)

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Leopold Mozart
Sleigh-Ride

In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)

In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)

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Order no.: BTM028SC
Leopold Mozart
Sleigh-Ride

In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)

In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)

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Order no.: BTM028SC-DL

Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

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Order no.: BTM029

Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

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Order no.: BTM029-DL

Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

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Order no.: BTM029SC

Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

Besides opera's, Gaetano Donizetti (1797-1848) composed music for wind ensemble and some solopieces for wind instruments. (English Horn and Concert Band)

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La Traviata' tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. The aria 'E Strano' - how strange it is - is sung by Violetta...

La Traviata' tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. The aria 'E Strano' - how strange it is - is sung by Violetta...

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Giuseppe Verdi
from the opera La Traviata

La Traviata' tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. The aria 'E Strano' - how strange it is - is sung by Violetta...

La Traviata' tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. The aria 'E Strano' - how strange it is - is sung by Violetta...

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Order no.: BTM030-DL