Concert Music Sheet Music Downloads (PDF)
'Il Pirata' (The Pirate) was Bellini's third opera. 'Il Pirata' is an opera in two acts to an Italian libretto by Felice Romani from a French translation of the tragic play 'Bertram', or 'The Castle o...
'Il Pirata' (The Pirate) was Bellini's third opera. 'Il Pirata' is an opera in two acts to an Italian libretto by Felice Romani from a French translation of the tragic play 'Bertram', or 'The Castle o...
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- Anton Haeck
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One finds in Saint-SaÙns' Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...
One finds in Saint-SaÙns' Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...
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- Marco Tamanini
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One finds in Saint-Saëns" Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...
One finds in Saint-Saëns" Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...
- Concert Band (Solo/Feature: Horn)
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- Marco Tamanini
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Prokofiev composed his first piano concerto while at the Conservatory, in 1911 and 1912, and premiered it himself on August 7, 1912. The concerto is a single movement divided into clearly marked secti...
Prokofiev composed his first piano concerto while at the Conservatory, in 1911 and 1912, and premiered it himself on August 7, 1912. The concerto is a single movement divided into clearly marked secti...
- Concert Band (Solo/Feature: Piano)
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- Douglas McLain
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Prokofiev composed his first piano concerto while at the Conservatory, in 1911 and 1912, and premiered it himself on August 7, 1912. The concerto is a single movement divided into clearly marked secti...
Prokofiev composed his first piano concerto while at the Conservatory, in 1911 and 1912, and premiered it himself on August 7, 1912. The concerto is a single movement divided into clearly marked secti...
- Concert Band (Solo/Feature: Piano)
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- Douglas McLain
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'Joyeuse Marche' by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was 'Prélude Pastoral') first performed on 4 November 1888 in Angers, conducted by th...
'Joyeuse Marche' by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was 'Prélude Pastoral') first performed on 4 November 1888 in Angers, conducted by th...
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- Marc Koninkx
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Joyeuse Marche by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was "Prélude Pastoral") first performed on 4 November 1888 in Angers, conducted by the...
Joyeuse Marche by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was "Prélude Pastoral") first performed on 4 November 1888 in Angers, conducted by the...
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- Marc Koninkx
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Soprano, Choir and Symphonic Band Emmerich Kalman's most beloved operetta 'Die Csardasfürstin' had its first performance at the Vienna 'Johann Strauss-Theater' in November 1915. Only in the German sp...
Soprano, Choir and Symphonic Band Emmerich Kalman's most beloved operetta 'Die Csardasfürstin' had its first performance at the Vienna 'Johann Strauss-Theater' in November 1915. Only in the German sp...
- Concert Band (Vocal Solo (High Voice))
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- Jos Dobbelstein
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Emmerich Kálmán's most beloved operetta "Die Csárdásfürstin" had its first performance at the Vienna "Johann Strauss-Theater" in November 1915. Only in the German speaking countries it was performed 5...
Emmerich Kálmán's most beloved operetta "Die Csárdásfürstin" had its first performance at the Vienna "Johann Strauss-Theater" in November 1915. Only in the German speaking countries it was performed 5...
- Concert Band, High Voice and Choir
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- Jos Dobbelstein
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As a composer, Edward MacDowell is mostly remembered for his two piano concertos, a great number of compositions for piano including Woodland Sketches (with the very popular 'To a Wild Rose'), New Eng...
As a composer, Edward MacDowell is mostly remembered for his two piano concertos, a great number of compositions for piano including Woodland Sketches (with the very popular 'To a Wild Rose'), New Eng...
- Concert Band (Solo/Feature: Cello)
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- Douglas McLain
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As a composer, Edward MacDowell is mostly remembered for his two piano concertos, a great number of compositions for piano (including Woodland Sketches (with the very popular "To a Wild Rose"), New En...
As a composer, Edward MacDowell is mostly remembered for his two piano concertos, a great number of compositions for piano (including Woodland Sketches (with the very popular "To a Wild Rose"), New En...
- Concert Band (Solo/Feature: Cello)
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- Douglas McLain
- Baton Music
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As a composer, Edward MacDowell is mostly remembered for his two piano concertos, a great number of compositions for piano (including Woodland Sketches (with the very popular 'To a Wild Rose'), New En...
As a composer, Edward MacDowell is mostly remembered for his two piano concertos, a great number of compositions for piano (including Woodland Sketches (with the very popular 'To a Wild Rose'), New En...
- Concert Band (Solo/Feature: Euphonium)
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- Douglas McLain
- Baton Music
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As a composer, Edward MacDowell is mostly remembered for his two piano concertos, a great number of compositions for piano (including Woodland Sketches (with the very popular "To a Wild Rose"), New En...
As a composer, Edward MacDowell is mostly remembered for his two piano concertos, a great number of compositions for piano (including Woodland Sketches (with the very popular "To a Wild Rose"), New En...
- Concert Band (Solo/Feature: Euphonium)
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- Douglas McLain
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The 'Limpid Stream' was by far the most popular of Shostakovich ballets. Its deliberately simple-minded melodies, banal harmonies, straightforward rhythms, and garish colors had the work playing succe...
The 'Limpid Stream' was by far the most popular of Shostakovich ballets. Its deliberately simple-minded melodies, banal harmonies, straightforward rhythms, and garish colors had the work playing succe...
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- Bernard Miller
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The Limpid Stream was by far the most popular of Shostakovich ballets. Its deliberately simple-minded melodies, banal harmonies, straightforward rhythms, and garish colors had the work playing success...
The Limpid Stream was by far the most popular of Shostakovich ballets. Its deliberately simple-minded melodies, banal harmonies, straightforward rhythms, and garish colors had the work playing success...
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- David Miller
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Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
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Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
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- Espen Andersen
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Soprano and Wind Ensemble The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe...
Soprano and Wind Ensemble The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe...
- Concert Band (Vocal Solo (High Voice))
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- Jos Dobbelstein
- Baton Music
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The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppé and Karl Millöcker were t...
The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppé and Karl Millöcker were t...
- Concert Band (Vocal Solo (High Voice))
- Score Download
- Jos Dobbelstein
- Baton Music
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immediately available
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Soprano, Tenor, Choir and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr.,...
Soprano, Tenor, Choir and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr.,...
- Concert Band, Soloists and Choir
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- Jos Dobbelstein
- Baton Music
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The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppé and Karl Millöcker were t...
The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppé and Karl Millöcker were t...
- Concert Band, 2 Voices (High) and Choir
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- Jos Dobbelstein
- Baton Music
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Tenor, Choir and Symponic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von...
Tenor, Choir and Symponic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von...
- Concert Band, High Voice and Choir
- Score and Parts Download
- Jos Dobbelstein
- Baton Music
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immediately available
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Tenor, Choir and Symponic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von...
Tenor, Choir and Symponic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von...
- Concert Band, High Voice and Choir
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- Jos Dobbelstein
- Baton Music
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Two Tenors and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von S...
Two Tenors and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von S...
- Concert Band (Solo/Feature: 2 Voices)
- Score and Parts Download
- Jos Dobbelstein
- Baton Music
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-
immediately available
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The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppé and Karl Millöcker were t...
The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppé and Karl Millöcker were t...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score Download
- Jos Dobbelstein
- Baton Music
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-
immediately available
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