Concert Pieces for Concert Band
Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...
Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...
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- Jos van de Braak
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Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...
Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...
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- Jos van de Braak
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The Italian Arcangelo Corelli (1653-1713) may have been the first to embody the tradition of the sheperds music, the Pastorale in orchestral music. In this transcription special attention has to be gi...
The Italian Arcangelo Corelli (1653-1713) may have been the first to embody the tradition of the sheperds music, the Pastorale in orchestral music. In this transcription special attention has to be gi...
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In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
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The music to the drama Masquerade consists of 14 pieces, mostly dances. Using five out of these 14 numbers Aram Khachaturian composed an orchestral suite and in this transcription for symphonic band t...
The music to the drama Masquerade consists of 14 pieces, mostly dances. Using five out of these 14 numbers Aram Khachaturian composed an orchestral suite and in this transcription for symphonic band t...
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The music to the drama Masquerade consists of 14 pieces, mostly dances. Using five out of these 14 numbers Aram Khachaturian composed an orchestral suite and in this transcription for symphonic band t...
The music to the drama Masquerade consists of 14 pieces, mostly dances. Using five out of these 14 numbers Aram Khachaturian composed an orchestral suite and in this transcription for symphonic band t...
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- Jos van de Braak
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As a composer Strauss sr. is probably less famous as his son Johann Strauss jr.(1825 - 1899) but his Radeztky March is still one of the most popular pieces in classical music: Every New Year's Day it...
As a composer Strauss sr. is probably less famous as his son Johann Strauss jr.(1825 - 1899) but his Radeztky March is still one of the most popular pieces in classical music: Every New Year's Day it...
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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...
The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...
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- Jos van de Braak
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José Gomes de Abreu, better known as Zequinha de Abreu (1880-1935) was a Brazilian musician and composer. He was one of the prominent Brazilian composers of the 'Belle Époque', having contributed to t...
José Gomes de Abreu, better known as Zequinha de Abreu (1880-1935) was a Brazilian musician and composer. He was one of the prominent Brazilian composers of the 'Belle Époque', having contributed to t...
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- Sergio Rodríguez Pena
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José Gomes de Abreu, better known as Zequinha de Abreu (1880-1935) was a Brazilian musician and composer. He was one of the prominent Brazilian composers of the 'Belle Époque', having contributed to t...
José Gomes de Abreu, better known as Zequinha de Abreu (1880-1935) was a Brazilian musician and composer. He was one of the prominent Brazilian composers of the 'Belle Époque', having contributed to t...
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- Sergio Rodríguez Pena
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Johann Strauss, the King of Waltzes, toured the world like a gypsy and his successful tours to St. Petersburg, Berlin, London, Paris and New York helped to popularise his waltz music. What difference...
Johann Strauss, the King of Waltzes, toured the world like a gypsy and his successful tours to St. Petersburg, Berlin, London, Paris and New York helped to popularise his waltz music. What difference...
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- Marco Tamanini
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Gerardo Matos Rodríguez (1897 -1948) was a Uruguayan musician, composer and journalist. In 1916 he composed 'La Cumparsita' which was first played in public in the old Café 'La Giralda' in Montevideo...
Gerardo Matos Rodríguez (1897 -1948) was a Uruguayan musician, composer and journalist. In 1916 he composed 'La Cumparsita' which was first played in public in the old Café 'La Giralda' in Montevideo...
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- Miguel Etchegoncelay
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Johann Strauss, the King of Waltzes, toured the world like a gypsy and his successful tours to St. Petersburg, Berlin, London, Paris and New York helped to popularise his waltz music. What difference...
Johann Strauss, the King of Waltzes, toured the world like a gypsy and his successful tours to St. Petersburg, Berlin, London, Paris and New York helped to popularise his waltz music. What difference...
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- Marco Tamanini
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'Someone to watch over me' is a 1926 song composed by George Gershwin. It was written for the musical 'Oh, Kay!' in 1926. The successful musical ran for more than 200 performances in New York and then...
'Someone to watch over me' is a 1926 song composed by George Gershwin. It was written for the musical 'Oh, Kay!' in 1926. The successful musical ran for more than 200 performances in New York and then...
- Concert Band (Vocal Solo (High Voice))
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- Roger Niese
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'Someone to watch over me' is a 1926 song composed by George Gershwin. It was written for the musical 'Oh, Kay!' in 1926. The successful musical ran for more than 200 performances in New York and then...
'Someone to watch over me' is a 1926 song composed by George Gershwin. It was written for the musical 'Oh, Kay!' in 1926. The successful musical ran for more than 200 performances in New York and then...
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- Roger Niese
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'Someone to watch over me' is a 1926 song composed by George Gershwin. It was written for the musical 'Oh, Kay!' in 1926. The successful musical ran for more than 200 performances in New York and then...
'Someone to watch over me' is a 1926 song composed by George Gershwin. It was written for the musical 'Oh, Kay!' in 1926. The successful musical ran for more than 200 performances in New York and then...
- Concert Band (Vocal Solo (Medium Voice))
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- Roger Niese
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'Someone to watch over me' is a 1926 song composed by George Gershwin. It was written for the musical 'Oh, Kay!' in 1926. The successful musical ran for more than 200 performances in New York and then...
'Someone to watch over me' is a 1926 song composed by George Gershwin. It was written for the musical 'Oh, Kay!' in 1926. The successful musical ran for more than 200 performances in New York and then...
- Concert Band (Vocal Solo (Medium Voice))
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- Roger Niese
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Carlos Gardel (1890 - 1935) was a French Argentine singer, songwriter, composer and actor, and the most prominent figure in the history of tango. Gardel's baritone voice and the dramatic phrasing of h...
Carlos Gardel (1890 - 1935) was a French Argentine singer, songwriter, composer and actor, and the most prominent figure in the history of tango. Gardel's baritone voice and the dramatic phrasing of h...
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- Roger Niese
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Carlos Gardel (1890 - 1935) was a French Argentine singer, songwriter, composer and actor, and the most prominent figure in the history of tango. Gardel's baritone voice and the dramatic phrasing of h...
Carlos Gardel (1890 - 1935) was a French Argentine singer, songwriter, composer and actor, and the most prominent figure in the history of tango. Gardel's baritone voice and the dramatic phrasing of h...
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- Roger Niese
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The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...
The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...
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- Jos van de Braak
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The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...
The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...
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The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...
The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...
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- Jos van de Braak
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The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...
The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...
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- Jos van de Braak
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The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...
The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...
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- Jos van de Braak
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Eduard Strauss (1835 - 1916) was an Austrian composer who, together with brothers Johann Strauss II and Josef Strauss made up the Strauss musical dynasty. His popularity was overshadowed by that of hi...
Eduard Strauss (1835 - 1916) was an Austrian composer who, together with brothers Johann Strauss II and Josef Strauss made up the Strauss musical dynasty. His popularity was overshadowed by that of hi...
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- Ralf Pogues
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