Drums Solo Sheet Music

Companion to the Rock Bible, this study covers the topic of jazz coordination in a step-by-step approach which is certain to produce results.

Here it is, for the first time ever a practical book that will teach youhow to play jazz in odd meters. For intermediate to advanced players.

Develop total coordination with four limbs by usingyou left foot (hi-hat) in a completely different way.

This single volume has 164 pages of one, two, and four-measure jazz breaks. There are nine sections, each dealing with a specialized approach to playing jazz breaks. For intermediate, advanced, and pr...

The charts are typical of the most up-to-date and practical style of arranging for drums. For advanced & professional players.

For Intermediate-Advanced and Professional Players Increase your skill in reading and playing rhythmic patterns between the cymbals and drums. Intermediate-Advanced level.

This book was written to supplement the solo literature available to high school and college drum set players. Each solo pays homage to a famous jazz drummer. A full performance CD includes all the tu...

The goal of this book is to acquaint grade 3-4 players with various beats, solo suggestions and techniques which will enable them to excel in the jazz ensemble in a solo and chart-reading capacity. St...

Inside The Big Band Drum Chart is a first of its kind Drum method that uses traditional and contemporary arrangements performed by a 17 piece jazz ensemble as the vehicle to study beats, musical form,...

A collection of 120 Drum set exercises designed to help the beginning to intermediate drummer develop coordination, independence and accompanying skills between the snare and bass Drum while keeping s...

Die junge Schlgazeugerin Leonie Klein hat eine Solo-Fassung des genialen Schlagzeugkonzerts von Peter Eötvös geschrieben. Virtuos lehrt der Schlagzeuger seinen Instrumenten das Sprechen, bis die Tromm...

The two main organizational elements that form the basis of this work are a rhythmic motive (which spans over the metres 2/4 3/4 3/4 2/4 3/4) and a tone row that mirrors around its middle (A, C, D, Eb...

The two main organizational elements that form the basis of this work are a rhythmic motive (which spans over the metres 2/4 3/4 3/4 2/4 3/4) and a tone row that mirrors around its middle (A, C, D, Eb...

First performed February 1992, University of California San Diego by Steve Schick.