Duke Ellington: Intermediate Sheet Music

This straight-ahead swing/bebop arrangement of a great Ellington classic by Miami writer Mike Lewis features solid ensemble writing and does not require any improvisation.

The great Duke Ellington standard, as featured by Tony Bennett & Michael Bublé on the 'Duets II' album. Tenor 1 Solo written out, or Optional ad lib. Key as recorded.

Edward Kennedy 'Duke' Ellington's influence on the swing era as musician, bandleader and composer is unparalleled. His arrangement of his own composition It Don't Mean a Thing (If It Ain't Got That Sw...

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Arranged especially for the USAF Airmen of Note, this alto ballad is outstanding in every respect. The introduction features 'bones playing the bridge, followed by the A section statement with alto an...

Misty Mornin' composed by Duke Ellington and Arthur Whetsol, in the key of Bb Major arranged for piano solo with guitar chords.

Rockin' In Rhythm composed by Duke Ellington, Irving Mills and Harry Carney, in the key of C Major arranged for piano solo with guitar chords.

The title of this Ellington classic is an appropriate way to describe the sound that a baritone-tuba quartet can obtain with control and practice. This grade 3 setting contains solos, duets, good deve...

Brass Band.

Brass Band.

The driving swing style and the romantic lyric of this Duke Ellington tune have made it a classic. It's been recorded by the likes of Ella Fitzgerald, The Ink Spots, Harry James, and many more. Add th...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

Absolutely dripping with the blues, here is a sultry version of the Ellington classic that features trumpet and trombone as they cry out the plaintive melody. Written in a call and response style, thi...

Absolutely dripping with the blues, here is a sultry version of the Ellington classic that features trumpet and trombone as they cry out the plaintive melody. Written in a call and response style, thi...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

The Hal Leonard Jazz Combo Paks are a versatile and inexpensive way to put four fantastic charts in front of your high school or college combo. The flexible instrumentation provides many options for c...

This pack lets instrumentalists play along with a big band to 10 swinging classics, including: Caravan - Chelsea Bridge - Cotton Tail - I'm Beginning to See the Light - I'm Just a Lucky So and So - In...