Duke Ellington Jazz Ensemble Sheet Music

Big Band music at its best! - 'I'm Beginning To See The Light' des großartigen Duke Ellington war 1944/45 gleich in mehreren Versionen in den amerikanischen Charts vertreten; neben der Aufnahme des'Du...

This is the authentic Nestico arrangement as recorded by the Count Basie Orchestra! Opening with a piano introduction, this medium swing chart progresses through statements by the saxes, expertly wove...

Billy Strayhorn's iconic jazz standard, recorded by Duke Ellington, is skillfully adapted in this easy version. From the trademark introduction, saxes on the main theme, and short written or ad lib. s...

This upbeat swing standard remains one of the most popular tunes recorded by the Duke Ellington Orchestra. Here is a carefully arranged chart that sounds sophisticated, yet is easily attainable by you...

Everyone will recognize this Duke Ellington classic. Using interesting textures and alternating between a Latin groove and swing, this is a very effective production number with limited technical dema...

This is Ella Fitzgerald's somewhat sultry and brooding version of Caravan from her 1957 'Duke Ellington Songbook' album. Tonally quite advanced for its time, the chart moves from a quasi-samba feel to...

The Robbie Williams School Band Chart specially written for student/amateur swing bands. In addition to the usual 8 Brass and 5 Saxes we have included optional Flutes, Clarinets and Horn in F. Very sa...

Mike Tomaro has beautifully adapted this well-known Ellington classic to feature Tenor Sax. With flowing melodies and a lush orchestration this is the perfect ballad for contests or festivals.

Absolutely dripping with the blues, here is a sultry version of the Ellington classic that features trumpet and trombone as they cry out the plaintive melody. Written in a call and response style, thi...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

Geschickte und rasante Bearbeitung des Ellington-Klassikers von Ralph Ford im schnellen Swing-Tempo mit Ausflügen in den Latin-Groove. Ausgeschriebene Soli für Trompete und Tenorsaxophon, Montunas-Fig...

One of the all-time Ellington classics is this elegant medium swing tune. Mark's smooth arrangement features plenty of rich ensemble scoring plus solos for trumpet and trombone.

One of the trademark tunes from the Duke Ellington library, this familiar jazz classic is solidly scored for young players in this terrific arrangement by Mark Taylor. When it comes to playable charts...

This Ellington classic is one of the best swing tunes ever written. This makes an outstanding vocal feature, yet your band will have a great time with it as well.

Comfortable for just about any singer, Jerry's swingin' chart on this classy jazz standard is a perfect addition to any program.

This chart has it all. Featuring a great swing feel, solid scoring and dynamic contrasts, this arrangement is perfect for younger bands just learning to swing, or experienced bands showing that they c...

This very special and historic publication is an exact transcription of the 1941 version recorded by Duke Ellington. David Berger's expertise is evident in the completely voiced out rhythm parts and w...

Swingin' and singin' with big band! This chart practically plays itself. The key is F minor, the vocal range is middle C to 3rd space C, and the lead trumpet range is to written F top line. Solo space...

One of the trademark tunes from the Duke Ellington library, this familiar jazz classic is solidly scored for young players in this terrific arrangement by Mark Taylor. When it comes to playable charts...

More Duke Ellington magic! This chart sells itself... the vocal group is just the frosting on the cake. The voice leadings are good and the band cooks along well. Look at this one!

Besetzung: Bigband

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

Arranged especially for the USAF Airmen of Note, this alto ballad is outstanding in every respect. The introduction features 'bones playing the bridge, followed by the A section statement with alto an...

This arrangement, first known as Elf, was originally written sometime in 1963. It was first recorded in New York on July 18, 1963. The title had been changed to Isfahan sometime before the Duke Elling...

Rick Stitzel skillfully dresses up this amazingly simple melody with counterlines and solid scoring for the little big band format. Solos are provided for alto sax and trumpet, but with the easy blues...