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Alongside the double-choir St. Matthew Passion, the Christmas Oratorio, the Magnificat and the Mass in B minor, the St. John Passion is one of the great vocal works of Johann Sebastian Bach's Leipzig...

Can be combined with the performance material of older editions (also with the NBA). Bach's St. John Passion is one of the greatest Passion settings in music history. It underwent several fundamental...

The autograph contains no reference to the participation of instruments, and there is no doubt that a purely vocal performance would do full justice to the work. On the other hand, there is nothing to...

Dieterich Buxtehude composed his greatest oratorical work, the cantata cycle Membra Jesu nostri, for the Passiontide of 1680 and dedicated it to his friend and Swedish court conductor Gustav Düben. In...

Mendelssohn's unfinished 3rd oratorio in the first critical edition. Performance material is available separately for Part 1 and Part 2 of the oratorio. Part 1: "The Nativity", Part 2: "The Passion of...

The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...

Pietro Metastasio's libretto for La Passione di nostro Signore Gesù Cristo from 1730 is a prototype of the Italian-language Catholic oratorio of the 18th century. The text of the Bible is completely t...

Contemporary critics considered Rheinberger's Stabat Mater op. 16, composed in 1864, to be "one of the most beautiful works in this genre in recent times. Distinguished by its broad structure and nobl...

The English conductor and composer Howard Arman has presented a complete version of Mozart's Requiem. "Another version?" you might think, as there are now a whole series of other versions available al...

Set for SATB choir and with additional wind parts by Joseph von Eybler, addition of trombones by Ignaz Xaver Ritter von Seyfried, revised by Otto Nicolai (1843) Pergolesi's last major composition, the...

Aus dem 'Mainzer Chorbuch'.