Easter Music Sheet Music for Choir: Extensive Sacred Selection

J. S. Bach's St. Mark Passion has already undergone many attempts at reconstruction. Only the text according to Picander has survived and thus allows conclusions to be drawn about the original form of...

Ein Lämmlein geht und trägt die Schuld. Sopran solo (2), Alt solo, Tenor solo (3), Bass solo (3), Gemischter Chor-SATB, Klavier, Streicher, Basso continuo - Klavierauszug; Urtextausgabe Chorwerke mit...

10 ausgewählte Choräle für Chor und Bc(Org), nach dem Urtext der Neuen Bach-Ausgabe, Instrumente (2 Fl, 2 Ob, Str) ad lib. Gemischter Chor-SATB, Basso continuo, Instrument ad lib. - Singpartitur; Spie...

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Posaune (2), Violine (2), Viola, Basso continuo (Cello, Kontrabass, Orgel) Antonio Caldara (1670-1736) verbindet man in erster Lin...

Die vorliegende Fassung von Pendereckis Trauergesang entstand anlässlich des zweiten Todestages des polnischen Komponisten, an dem die offizielle Trauerfeier nach der Corona-Pandemie unter großer Ante...

Eberlin's programmatic setting of the offertory "Terra tremuit" was composed for the festive liturgy of Easter Sunday at Salzburg Cathedral, which was a center of polyphonic offertory settings in the...

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

Bach composed the cantata "Bleib bei uns, denn es will Abend werden" BWV 6 for Easter Monday in 1725. A choral cantata was actually planned for this holiday as well, but the choral cantata year breaks...

The starting point of the text is the Easter Gospel with the resurrection of Jesus, which is first celebrated extensively. This is followed by an appeal to the faithful: Every single Christian must ta...

The cantata "Ihr werdet weinen und heulen" BWV 103 for Sunday Jubilate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his second Le...

The cantata "Es ist euch gut, dass ich hingehe" BWV 108 for Sunday Cantate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his secon...

The cantata "Der Herr ist mein Hirte" dates from 1731 and was evidently intended as a supplement to the choral cantata cycle, which Bach left unfinished at Easter 1725. Bach adopted the five-stanza po...

Soli ATB, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc Sprache: deutsch/englisch

The cantata "Gelobet sei der Herr, mein Gott" BWV 129 is one of the choral cantatas that Bach subsequently added to the choral cantata cycle that was discontinued at Easter 1725; it was not composed u...

The cantata "Ein Herz, das seinen Jesum lebend weiß" for the 3rd Easter in 1724 is one of the older cantatas that Bach integrated into his first Leipzig cantata cycle; it was originally composed in Kö...

Pietro Metastasio's libretto for La Passione di nostro Signore Gesù Cristo from 1730 is a prototype of the Italian-language Catholic oratorio of the 18th century. The text of the Bible is completely t...

Contemporary critics considered Rheinberger's Stabat Mater op. 16, composed in 1864, to be "one of the most beautiful works in this genre in recent times. Distinguished by its broad structure and nobl...

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...

Set for SATB choir and with additional wind parts by Joseph von Eybler, addition of trombones by Ignaz Xaver Ritter von Seyfried, revised by Otto Nicolai (1843) Pergolesi's last major composition, the...