Easter Music Sheet Music for Mixed Choir (SATB): Triumphant Voices

Eberlin's programmatic setting of the offertory "Terra tremuit" was composed for the festive liturgy of Easter Sunday at Salzburg Cathedral, which was a center of polyphonic offertory settings in the...

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

Bach composed the cantata "Bleib bei uns, denn es will Abend werden" BWV 6 for Easter Monday in 1725. A choral cantata was actually planned for this holiday as well, but the choral cantata year breaks...

The cantata "Ihr werdet weinen und heulen" BWV 103 for Sunday Jubilate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his second Le...

The cantata "Es ist euch gut, dass ich hingehe" BWV 108 for Sunday Cantate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his secon...

The cantata "Der Herr ist mein Hirte" dates from 1731 and was evidently intended as a supplement to the choral cantata cycle, which Bach left unfinished at Easter 1725. Bach adopted the five-stanza po...

Soli ATB, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc Sprache: deutsch/englisch

The cantata "Gelobet sei der Herr, mein Gott" BWV 129 is one of the choral cantatas that Bach subsequently added to the choral cantata cycle that was discontinued at Easter 1725; it was not composed u...

The cantata "Ein Herz, das seinen Jesum lebend weiß" for the 3rd Easter in 1724 is one of the older cantatas that Bach integrated into his first Leipzig cantata cycle; it was originally composed in Kö...

Pietro Metastasio's libretto for La Passione di nostro Signore Gesù Cristo from 1730 is a prototype of the Italian-language Catholic oratorio of the 18th century. The text of the Bible is completely t...

Contemporary critics considered Rheinberger's Stabat Mater op. 16, composed in 1864, to be "one of the most beautiful works in this genre in recent times. Distinguished by its broad structure and nobl...

Set for SATB choir and with additional wind parts by Joseph von Eybler, addition of trombones by Ignaz Xaver Ritter von Seyfried, revised by Otto Nicolai (1843) Pergolesi's last major composition, the...

An Easter Cantata for STB soloists, SATB chorus and organ.

For SATB and piano duet or woodwinds (piccolo, flute, oboe, clarinet, bassoon) and percussion. The rhythmic power of 'Videntes Stellam Magi' is echoed in this jubilant finale. Instrumental material is...

For Solo Voice, S.A.T.B. Chorus, and Organ

This new anthem is a festive call to Easter issued to the whole of creation. Triumphant and majestic, with a classical feel, this jubilant choral fanfare is the perfect call to worship for Easter. Inc...