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- Michal Worek
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- Jirka Kadlec
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- Double Bass and Orchestra
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Ohne Aufenthalt (op. 112), composed by Eduard Strauss in 1869, embodies the lively, elegant and effervescent spirit of the Strauss musical dynasty. This cheerful work - whose title means "Without Stay...
Ohne Aufenthalt (op. 112), composed by Eduard Strauss in 1869, embodies the lively, elegant and effervescent spirit of the Strauss musical dynasty. This cheerful work - whose title means "Without Stay...
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- Bertrand Moren
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Ohne Aufenthalt (op. 112), composed by Eduard Strauss in 1869, embodies the lively, elegant and effervescent spirit of the Strauss musical dynasty. This cheerful work - whose title means "Without Stay...
Ohne Aufenthalt (op. 112), composed by Eduard Strauss in 1869, embodies the lively, elegant and effervescent spirit of the Strauss musical dynasty. This cheerful work - whose title means "Without Stay...
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- Bertrand Moren
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Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...
Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...
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- Colette Mourey
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Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...
Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...
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- Colette Mourey
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With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
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With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
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Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
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Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
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- Colette Mourey
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A timeless masterpiece of the Viennese repertoire is An der schönen blauen Donau, Op. 314 by Johann Strauss (son), which perfectly embodies the elegance and refinement of the romantic waltz. Composed...
A timeless masterpiece of the Viennese repertoire is An der schönen blauen Donau, Op. 314 by Johann Strauss (son), which perfectly embodies the elegance and refinement of the romantic waltz. Composed...
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A timeless masterpiece of the Viennese repertoire is An der schönen blauen Donau, Op. 314 by Johann Strauss (son), which perfectly embodies the elegance and refinement of the romantic waltz. Composed...
A timeless masterpiece of the Viennese repertoire is An der schönen blauen Donau, Op. 314 by Johann Strauss (son), which perfectly embodies the elegance and refinement of the romantic waltz. Composed...
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- Bertrand Moren
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Composed in 1886, Pfeilschnell Polka schnell, Op. 108 is one of the most brilliant works by Carl Michael Ziehrer, an important figure in the Viennese musical tradition alongside the Strauss dynasty. E...
Composed in 1886, Pfeilschnell Polka schnell, Op. 108 is one of the most brilliant works by Carl Michael Ziehrer, an important figure in the Viennese musical tradition alongside the Strauss dynasty. E...
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Composed in 1886, Pfeilschnell Polka schnell, Op. 108 is one of the most brilliant works by Carl Michael Ziehrer, an important figure in the Viennese musical tradition alongside the Strauss dynasty. E...
Composed in 1886, Pfeilschnell Polka schnell, Op. 108 is one of the most brilliant works by Carl Michael Ziehrer, an important figure in the Viennese musical tradition alongside the Strauss dynasty. E...
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- Bertrand Moren
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Composed in 1868, the polka Unter Donner und Blitz is one of the most spectacular works by Johann Strauss (son). In keeping with its sonorous title, the piece unfolds an electrifying energy and altern...
Composed in 1868, the polka Unter Donner und Blitz is one of the most spectacular works by Johann Strauss (son). In keeping with its sonorous title, the piece unfolds an electrifying energy and altern...
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Composed in 1868, the polka Unter Donner und Blitz is one of the most spectacular works by Johann Strauss (son). In keeping with its sonorous title, the piece unfolds an electrifying energy and altern...
Composed in 1868, the polka Unter Donner und Blitz is one of the most spectacular works by Johann Strauss (son). In keeping with its sonorous title, the piece unfolds an electrifying energy and altern...
- Double Bass and Orchestra
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- Bertrand Moren
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