Easy Sacred & Church Music Sheet Music

This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...

My song is love unknown is an expressive and fluid setting of the well-known Lenten text by Samuel Crossman. McGlade highlights the phrase 'take frail flesh and die' with a sighing musical motif, befo...

A short upbeat setting of words from Psalms 9, 95, and 97, Cantate Domino opens with a triple-metre dance-like section that features optional clapping. Brown juxtaposes a darker, more chromatic middle...

This setting of verses from John 7 imaginatively depicts the 'rivers of living water' and the contrasting 'parched land' in episodic form, providing musical structure, variety, colour, and atmosphere....

This gentle anthem, written for the Choir of St Chad's College, Durham, sets a text that is adapted from several prayers of St Chad. Warm dynamic swells and rich harmonies emphasize the meaning of the...

Hazzard's enchanting Sanctus, setting text from the Latin Mass, captures the feeling of a rushing current throughout. Though the energy often pulsates below the surface, it bursts through at the zestf...

Setting a collect from the Book of Common Prayer, this introit plays on McDowall's characteristic use of dissonance and modal inflections to create a hypnotic and slightly unsettled soundworld that re...

A beautiful, transcendent setting of the Latin text 'O mysterium ineffabile' ('O ineffable mystery'), a text which exclaims the greatness and divinity of the eucharistic feast. Commissioned in 2023 by...

O sing to the Lord was commissioned by Peter Asprey and premiered by the Choir of Holy Sepulchre, London, as the introit for a special service to mark St Cecilia’s Day in 2024. The uplifting text, tak...

Inspired by the famous Handel chorus, "Hallelujah, Amen" captures the spirit of the original work with Gibbs's joyful harmonic language.

The Glory Of Our God (Kol' Slaven) by Dmitry Stepanovych Bortniansky arranged by Anthony Antolini for SATB choir unaccompanied.

Commissioned work for the concert 'Russian Spiritual Music' by 'Capella Carolina' Heidelberg The piece is without text, only with vowels. From bottom (u) to top (a): u-i-e-o-a. Each letter emphasizes...

How Sweet the Name of Jesus Sounds, John Newton, 1725–1807, alt.