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Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Arrangement for women's choir or children's choir a cappella. The notated chord symbols give the opportunity for creative alternative interpretations.

Here is a new twist on this traditional English carol. The vocal writing is light and rhythmic and will surprise your listeners. A piano part is offered as an accompaniment but this arrangement works...

Written in the Renaissance madrigal style, this is a real change of pace for the developing choir. It is crafted to be sung a cappella but if your choir isn't ready for that yet there is a piano part...

A beatutiful arrangement of Christina Rossetti's famous Christmas carol, set by Gustav Holst and arranged by Philip Lawson. This carol will be popular with choirs and audiences alike.

Introduce your choir to Renaissance a cappella singing through this well-known Thomas Morley madrigal. An excellent choice at festival and contest for younger choirs. Available separately, 3-Part Mixe...

All the brilliance and virtuosity you've come to expect in a Moses Hogan spiritual are included in this exciting and dramatic setting. Keep your hand on that plow - hold on! Avaiable for SATB div. a c...

Moses Hogan applies his considerable talents in creating a distinctive Christmas spiritual based on Go Tell It on the Mountain. A tenor solo, dynamic contrasts and Moses' trademark rhythmic layering g...

The choral ensemble creates a spare and stark vocal atmosphere with steady, pulsating vocal effects as the solo lines emerge from the texture. First Soon ah will be done and then I wanna die easy, whi...

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.

A recorder method for children. This method is designed to be used by people who know nothing or very little about music and cannot read notation.

Each year the BBC Music Magazine commissions a brand-new Christmas Carol for their readers and, when Grace-Evangeline Mason was invited to compose the 2021 carol, she decided to write and set her own...

Ben Ponniah started singing at St Mary-le-Tower Church in 1990 when he was six years old. John Cooper was the Organist and Director of Music at the time, followed by Michael Nicholas. Seeing the star...