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Edvard Grieg's early musical training took place in Germany, but philosophical constraints sent him back to his native Norway, where he began what is now referred to as the Norwegian School. He is bes...
Edvard Grieg's early musical training took place in Germany, but philosophical constraints sent him back to his native Norway, where he began what is now referred to as the Norwegian School. He is bes...
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- Charles Sayre
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Edvard Grieg's early musical training took place in Germany, but philosophical constraints sent him back to his native Norway, where he began what is now referred to as the Norwegian School. He is bes...
Edvard Grieg's early musical training took place in Germany, but philosophical constraints sent him back to his native Norway, where he began what is now referred to as the Norwegian School. He is bes...
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- Charles Sayre
- Belwin Music
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The canon is a contrapuntal device that has been used by composers throughout the history of music. From the seventeenth century comes this canon, Johann Pachelbel's best-known work. This beautiful pi...
The canon is a contrapuntal device that has been used by composers throughout the history of music. From the seventeenth century comes this canon, Johann Pachelbel's best-known work. This beautiful pi...
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- Charles Sayre
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The canon is a contrapuntal device that has been used by composers throughout the history of music. From the seventeenth century comes this canon, Johann Pachelbel's best-known work. This beautiful pi...
The canon is a contrapuntal device that has been used by composers throughout the history of music. From the seventeenth century comes this canon, Johann Pachelbel's best-known work. This beautiful pi...
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- Charles Sayre
- Belwin Music
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This section from Bizet's incidental music to the play, 'L'Arlesienne' by Alphons Daudet gives an excellent rendition of the rural ambience of the Provence. The simple but highly characteristic melody...
This section from Bizet's incidental music to the play, 'L'Arlesienne' by Alphons Daudet gives an excellent rendition of the rural ambience of the Provence. The simple but highly characteristic melody...
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- Jos van de Braak
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This section from Bizet's incidental music to the play, 'L'Arlesienne' by Alphons Daudet gives an excellent rendition of the rural ambience of the Provence. The simple but highly characteristic melody...
This section from Bizet's incidental music to the play, 'L'Arlesienne' by Alphons Daudet gives an excellent rendition of the rural ambience of the Provence. The simple but highly characteristic melody...
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- Jos van de Braak
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This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...
This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...
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This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...
This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...
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The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)
The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)
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The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)
The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)
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- Jos van de Braak
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The aria 'se al nuovo di pugnando' in Giuseppe Verdi's opera 'La Battaglia di Legnano' is sung by Rolando, the leader of a group of Italian knights that tried to stop the invasion in Lombardy of the G...
The aria 'se al nuovo di pugnando' in Giuseppe Verdi's opera 'La Battaglia di Legnano' is sung by Rolando, the leader of a group of Italian knights that tried to stop the invasion in Lombardy of the G...
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The aria 'se al nuovo di pugnando' in Giuseppe Verdi's opera 'La Battaglia di Legnano' is sung by Rolando, the leader of a group of Italian knights that tried to stop the invasion in Lombardy of the G...
The aria 'se al nuovo di pugnando' in Giuseppe Verdi's opera 'La Battaglia di Legnano' is sung by Rolando, the leader of a group of Italian knights that tried to stop the invasion in Lombardy of the G...
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In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
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In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
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- Jos van de Braak
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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
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- Jos van de Braak
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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
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The aria Stride la vampa - blazing flames - is sung by the gipsy woman Azucena in the second act of Giuseppe Verdi's opera Il Trovatore whilst she is staring into the campfire and telling the story of...
The aria Stride la vampa - blazing flames - is sung by the gipsy woman Azucena in the second act of Giuseppe Verdi's opera Il Trovatore whilst she is staring into the campfire and telling the story of...
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The aria Stride la vampa - blazing flames - is sung by the gipsy woman Azucena in the second act of Giuseppe Verdi's opera Il Trovatore whilst she is staring into the campfire and telling the story of...
The aria Stride la vampa - blazing flames - is sung by the gipsy woman Azucena in the second act of Giuseppe Verdi's opera Il Trovatore whilst she is staring into the campfire and telling the story of...
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The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...
The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...
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- Roger Niese
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The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...
The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...
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- Roger Niese
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In 1855 Johann Strauss composed the 'Aurora Polka' for the ball of the Aurora artists' association. The work was performed for the first time on February 14, 1855 in 'Tanzlokal Zum Sperl' in Vienna. D...
In 1855 Johann Strauss composed the 'Aurora Polka' for the ball of the Aurora artists' association. The work was performed for the first time on February 14, 1855 in 'Tanzlokal Zum Sperl' in Vienna. D...
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In 1855 Johann Strauss composed the 'Aurora Polka' for the ball of the Aurora artists' association. The work was performed for the first time on February 14, 1855 in 'Tanzlokal Zum Sperl' in Vienna. D...
In 1855 Johann Strauss composed the 'Aurora Polka' for the ball of the Aurora artists' association. The work was performed for the first time on February 14, 1855 in 'Tanzlokal Zum Sperl' in Vienna. D...
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- Jos van de Braak
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For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
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- Davide Antonio Pedrazzini
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For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
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- Davide Antonio Pedrazzini
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The Two Christmas Songs, 'Weihnachtsschnee' and 'Weihnachts Wiegenlied' are just beautiful examples of Edvard Grieg's craftsmanship as a songwriter. (Solo Voice and Concert Band)
The Two Christmas Songs, 'Weihnachtsschnee' and 'Weihnachts Wiegenlied' are just beautiful examples of Edvard Grieg's craftsmanship as a songwriter. (Solo Voice and Concert Band)
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- Jos van de Braak
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