Giuseppe Giuseppe Verdi (1813-1901) composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853), this opera belongs to the top of Giuseppe Verdi's middle period o...
Giuseppe Giuseppe Verdi (1813-1901) composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853), this opera belongs to the top of Giuseppe Verdi's middle period o...
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La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man.She leaves her luxurious live for him and finally offers her lo...
La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man.She leaves her luxurious live for him and finally offers her lo...
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La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man.She leaves her luxurious live for him and finally offers her lo...
La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man.She leaves her luxurious live for him and finally offers her lo...
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The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
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The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
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The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)
The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)
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The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)
The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)
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In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral...
In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral...
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In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral...
In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral...
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Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...
Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...
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Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...
Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...
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Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
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Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
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1. Adeste Fideles (Latin Hymn), 2. First Nowell (English Carol), 3. Oh, how joyfully (Sicilian Hymn), 4. Silent Night (German Carol), 5. Cold December's Winds were stilled (Catalan)
1. Adeste Fideles (Latin Hymn), 2. First Nowell (English Carol), 3. Oh, how joyfully (Sicilian Hymn), 4. Silent Night (German Carol), 5. Cold December's Winds were stilled (Catalan)
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1. Adeste Fideles (Latin Hymn), 2. First Nowell (English Carol), 3. Oh, how joyfully (Sicilian Hymn), 4. Silent Night (German Carol), 5. Cold December's Winds were stilled (Catalan)
1. Adeste Fideles (Latin Hymn), 2. First Nowell (English Carol), 3. Oh, how joyfully (Sicilian Hymn), 4. Silent Night (German Carol), 5. Cold December's Winds were stilled (Catalan)
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The 'Andante in C for Flute and Orchestra', KV 315 was written by Wolfgang Amadeus Mozart in 1778 when he visited Mannheim and commissioned by a rich Dutch merchant and amateur flautist. According to...
The 'Andante in C for Flute and Orchestra', KV 315 was written by Wolfgang Amadeus Mozart in 1778 when he visited Mannheim and commissioned by a rich Dutch merchant and amateur flautist. According to...
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The "Andante in C for Flute and Orchestra", KV 315 was written by Wolfgang Amadeus Mozart in 1778 when he visited Mannheim and commissioned by a rich Dutch merchant and amateur flautist. According to...
The "Andante in C for Flute and Orchestra", KV 315 was written by Wolfgang Amadeus Mozart in 1778 when he visited Mannheim and commissioned by a rich Dutch merchant and amateur flautist. According to...
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Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
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Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
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Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
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Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
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'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
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'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
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Die Entführung aus dem Serail (The Abduction from the Seraglio) is an opera in three acts by Wolfgang Amadeus Mozart. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedril...
Die Entführung aus dem Serail (The Abduction from the Seraglio) is an opera in three acts by Wolfgang Amadeus Mozart. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedril...
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Die Entführung aus dem Serail (The Abduction from the Seraglio) is an opera in three acts by Wolfgang Amadeus Mozart. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedril...
Die Entführung aus dem Serail (The Abduction from the Seraglio) is an opera in three acts by Wolfgang Amadeus Mozart. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedril...
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