Fazil Say Piano Sheet Music

Black Earth was inspired by Kara Toprak, a popular song in Turkey. The composer of the song, As?k Veysel (1891-1973), was one of the last great Turkish balladeers and the final link in a thousand-year...

This effective encore piece was written for the piano duo Lucas & Arthur Jussen. Virtuoso scales and percussive inside-piano effects put the gloomy and aggressive tonal world of the piano to the extre...

Faz?l Say, to whom the International Beethoven Prize for Human Rights was awarded in 2016, reflects on the events in Istanbul in May / June 2013 in his cycle Gezi Park. Gezi Park 3, first composed as...

Yürüyen Kösk zeichnet eine bekannte Episode nach, die Mustafa Kemal Atatürk, den Gründer der modernen Türkei, als fortschrittlichen Naturfreund zeigt: Zur Rettung einer Platane ließ er 1930 ein Haus u...

The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a...

The New Life Sonata by composer and pianist Fazil Say is a work of hope that describes the process in which the traces of the Corona pandemic, which has affected the whole world and brought life to a...

The concert piece 'Nirvana Burning' was commissioned by the Salzburg Festival and premiered by Faz?l Say and the Borusan Istanbul Philharmonic Orchestra at the festival opening in August 2010. It cons...

After his spectacular cadenza of Beethoven's Concerto in C minor (contained in ED 20140), the well-known Turkish pianist and composer now presents cadenzas of two of the most popular concertos by Moza...

The Turkish pianist and composer Faz?l Say has from the age of six begun each day with the performance of a keyboard work by Bach; his concert programmes include both numerous original compositions an...

An evocative cycle from the early years of the Turkish pianist and composer which appears again and again in his piano recital programmes.

An evocative cycle from the early years of the Turkish pianist and composer which appears again and again in his piano recital programmes.

This is a highly virtuosic piano piece with alternating metres and miniature rhythmic elements which are abstract representations of traditional Turkish rhythms.

I devote one movement of this work to each of the two figures. I have interpreted Nietzsche's character as energetic, painful and harsh. In contrast, the second movement 'Wagner' with its calm and med...