Felix Mendelssohn Bartholdy: Intermediate Sheet Music
- 4 Trombones and Piano
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- Scott Richards
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- Mixed Choir
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- Carsten Gerlitz
- Schott Musik
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Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op...
Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op...
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- Johan de Meij
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Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op...
Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op...
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- Johan de Meij
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Immediately after completing Paulus in 1836, Mendelssohn considered composing another oratorio. However, a whole decade was to pass before he composed 'Elijah', which is based on the story of the bibl...
Immediately after completing Paulus in 1836, Mendelssohn considered composing another oratorio. However, a whole decade was to pass before he composed 'Elijah', which is based on the story of the bibl...
- Soloists (SSAATTBB), Mixed Choir (SSAATTBB) and Orchestra
- Piano reduction Download (Urtext)
- Felix Mendelssohn Bartholdy Andreas Köhs
- Bärenreiter Verlag
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Soprano solo, alto solo, tenor solo, bass solo, gemCh (SATB), piano, trombone (3), timpani, strings, organ - piano reduction; Urtext edition
Soprano solo, alto solo, tenor solo, bass solo, gemCh (SATB), piano, trombone (3), timpani, strings, organ - piano reduction; Urtext edition
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano reduction Download (Urtext)
- Felix Mendelssohn Bartholdy Andreas Köhs
- Bärenreiter Verlag
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The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...
The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...
- High Voice, Mixed Choir (SATB) and Piano
- Piano Reduction Download
- Carus-Verlag
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Mendelssohn's unfinished 3rd oratorio in the first critical edition. Performance material is available separately for Part 1 and Part 2 of the oratorio. Part 1: "The Nativity", Part 2: "The Passion of...
Mendelssohn's unfinished 3rd oratorio in the first critical edition. Performance material is available separately for Part 1 and Part 2 of the oratorio. Part 1: "The Nativity", Part 2: "The Passion of...
- High Voice, Mixed Choir (SATTBB) and Piano
- Piano Reduction Download
- Carus-Verlag
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The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...
The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...
- Low Voice, Mixed Choir (SATB) and Organ
- Piano Reduction Download
- Carus-Verlag
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The Gloria is the 13-year-old Mendelssohn's first major church composition. It was written at the beginning of 1822 as part of his composition lessons with Carl Friedrich Zelter, the director of the B...
The Gloria is the 13-year-old Mendelssohn's first major church composition. It was written at the beginning of 1822 as part of his composition lessons with Carl Friedrich Zelter, the director of the B...
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- Piano Reduction Download
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Mendelssohn described his 1840 work Lobgesang as “a symphony for chorus and orchestra”. It is now firmly established in the standard repertoire of the major oratorio choirs. For many choirs, Lobgesang...
Mendelssohn described his 1840 work Lobgesang as “a symphony for chorus and orchestra”. It is now firmly established in the standard repertoire of the major oratorio choirs. For many choirs, Lobgesang...
- Soloists (SST), mixed Choir (SSAATB) and Chamber Orchestra
- Score
- Joachim Linckelmann
- Carus-Verlag
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Mendelssohn's St. Paul with just seven instead of the usual 18 wind instruments? Thanks to this arrangement for chamber orchestra, a performance with smaller forces is now possible, and presents an at...
Mendelssohn's St. Paul with just seven instead of the usual 18 wind instruments? Thanks to this arrangement for chamber orchestra, a performance with smaller forces is now possible, and presents an at...
- Soloists (SATB), Mixed Choir (SATB) and Chamber Orchestra
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- Joachim Linckelmann
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Sopran solo, Alt solo, Tenor solo, Bass solo, gemCh (SATB), Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Serpent, Horn (2), Trommel (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtex...
Sopran solo, Alt solo, Tenor solo, Bass solo, gemCh (SATB), Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Serpent, Horn (2), Trommel (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtex...
- Mixed Choir (SATB) and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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Mendelssohn describes to his friend Klingemann the 1840 work as "a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the wor...
Mendelssohn describes to his friend Klingemann the 1840 work as "a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the wor...
- Solists (SAT), Mixed Choir (SSAATB) and Orchestra
- Score (Urtext)
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Mendelssohn composed his first oratorio "Paulus" under the influence of the revival of J. S. Bach's "St. Matthew Passion" (1829), which he himself conducted. He integrated choral movements into "Paulu...
Mendelssohn composed his first oratorio "Paulus" under the influence of the revival of J. S. Bach's "St. Matthew Passion" (1829), which he himself conducted. He integrated choral movements into "Paulu...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
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The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...
The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...
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The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...
The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...
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- Geert Mooren
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German composer Felix Mendelssohn composed his opus 24, 'Ouverture für Harmoniemusik' (Overture or Winds) for the court orchestra of Bad Doberan near Rostock his. He was only 15 years and it already d...
German composer Felix Mendelssohn composed his opus 24, 'Ouverture für Harmoniemusik' (Overture or Winds) for the court orchestra of Bad Doberan near Rostock his. He was only 15 years and it already d...
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- Rens van Leeuwen
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German composer Felix Mendelssohn composed his opus 24, 'Ouverture für Harmoniemusik' (Overture or Winds) for the court orchestra of Bad Doberan near Rostock his. He was only 15 years and it already d...
German composer Felix Mendelssohn composed his opus 24, 'Ouverture für Harmoniemusik' (Overture or Winds) for the court orchestra of Bad Doberan near Rostock his. He was only 15 years and it already d...
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Felix Mendelssohn (1809-1847) composed two concertpieces - Konzertstücke - opus 113 and 114 for clarinet, bassethorn and orchestra. These works were dedicated with much respect to the clarinettists Ba...
Felix Mendelssohn (1809-1847) composed two concertpieces - Konzertstücke - opus 113 and 114 for clarinet, bassethorn and orchestra. These works were dedicated with much respect to the clarinettists Ba...
- Concert Band (Solo/Feature: 2 Clarinets)
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- Roger Niese
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Felix Mendelssohn (1809-1847) composed two concertpieces - Konzertstücke - opus 113 and 114 for clarinet, bassethorn and orchestra. These works were dedicated with much respect to the clarinettists Ba...
Felix Mendelssohn (1809-1847) composed two concertpieces - Konzertstücke - opus 113 and 114 for clarinet, bassethorn and orchestra. These works were dedicated with much respect to the clarinettists Ba...
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- Roger Niese
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The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthu...
The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthu...
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- William H. Silvester Arthur Harris
- Ludwig Music Publishing Company
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