Felix Mendelssohn Bartholdy Sheet Music for String Orchestra

8 Violins 1, 8 Violins 2, 6 Violas, 5 Cellos, 4 Contrabasss

8 Violins 1, 8 Violins 2, 6 Violas, 5 Cellos, 4 Contrabasss

8 Violins 1, 8 Violins 2, 6 Violas, 5 Cellos, 4 Contrabasss

Instruments: Violins 1 (6 parts) Violins 2 (6 parts) Violas (4 parts) Cellos (3 parts) Double Basses (2 parts) - Difficuly Level: Grade 4 - Duration: 4 mn 15 s - Musical Style: Classical - Category: A...

Instruments: Violins 1 (6 parts) Violins 2 (6 parts) Violas (4 parts) Cellos (3 parts) Double Basses (2 parts) - Difficuly Level: Grade 3 - Duration: 2 mn 00 s - Musical Style: Classical - Category: A...

Instruments: Violins 1 (6 parts) Violins 2 (6 parts) Violas (4 parts) Cellos (3 parts) Double Basses (2 parts) - Difficuly Level: Grade 5 - Duration: 2 mn 55 s - Musical Style: Classical - Category: A...

Instruments: Violins 1 (6 parts) Violins 2 (6 parts) Violas (4 parts) Cellos (3 parts) Double Basses (2 parts) - Difficuly Level: Grade 3 - Duration: 1 mn 55 s - Musical Style: Classical - Category: A...

Instruments: Violins 1 (6 parts) Violins 2 (6 parts) Violas (4 parts) Cellos (3 parts) Double Basses (2 parts) - Difficuly Level: Grade 5 - Duration: 1 mn 50 s - Musical Style: Classical - Category: A...

Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass) In 1842 Mendelssohn visited London with his wife. They stayed with a family in South London and he wrote eight short piano pieces as Chr...

The prodigy Felix Mendelssohn Bartholdy (1809-1847) composed the CONCERTO FOR VIOLIN No. 1 in D minor, MWV O 3, in 1822 when he was only 13. Written for Eduard Rietz, a dear friend and teacher, the co...

The prodigy Felix Mendelssohn Bartholdy (1809-1847) composed the CONCERTO FOR VIOLIN No. 1 in D minor, MWV O 3, in 1822 when he was only 13. Written for Eduard Rietz, a dear friend and teacher, the co...

This is the third among thirteen string symphonies written between 1821 and 1823, when Mendelssohn was twelve to fourteen years old. Like the other twelve, it was written as a tribute to early Classic...

This is the third among thirteen string symphonies written between 1821 and 1823, when Mendelssohn was twelve to fourteen years old. Like the other twelve, it was written as a tribute to early Classic...

This is the seventh among thirteen string symphonies written between 1821 and 1823, when Mendelssohn was twelve to fourteen years old. Like the other twelve, it was written as a tribute to early Class...

This is the seventh among thirteen string symphonies written between 1821 and 1823, when Mendelssohn was twelve to fourteen years old. Like the other twelve, it was written as a tribute to early Class...

This is the tenth among thirteen string symphonies written between 1821 and 1823, when Mendelssohn was twelve to fourteen years old. Like the other twelve, it was written as a tribute to early Classic...

This is the tenth among thirteen string symphonies written between 1821 and 1823, when Mendelssohn was twelve to fourteen years old. Like the other twelve, it was written as a tribute to early Classic...

This is the tenth among thirteen string symphonies written between 1821 and 1823, when Mendelssohn was twelve to fourteen years old. Like the other twelve, it was written as a tribute to early Classic...

The music of Mendelssohn is delightful to hear, but often challenging to perform. This selection, however, is accessible for developing string orchestras. The cellos and basses will find it particular...

The music of Mendelssohn is delightful to hear, but often challenging to perform. This selection, however, is accessible for developing string orchestras. The cellos and basses will find it particular...

The music of Mendelssohn is delightful to hear, but often challenging to perform. This selection, however, is accessible for developing string orchestras. The cellos and basses will find it particular...

Here is the perfect alternative for Pomp and Circumstance. It is much easier on the orchestra and everyone plays the melody. All parts shift and use chromatic fingerings, and there is great opportunit...

Die ersten fünf Stücke aus Felix Mendelssohn Bartholdys 'Sechs Kinderstücken für Klavier' op. 72 eignen sich durch ihre homophone Anlage ideal für eine leichte Konzertsuite, wobei die Einzelsätze durc...

Mendelssohn wrote the concerto at the age of 12. The work allows classical models (Hummel, Dussek and others) to shine through

In this modern twist on Mendelssohn's epic Hebrides Overture, low strings get to dig into energetic accented bass lines as two prominent themes weave through the orchestra. This arrangement is very pl...