Georg Friedrich Händel Sheet Music for Mixed Choir

Wer kennt sie nicht, die berühmte weihnachtlich-pastorale Hirtenmusik (Pifa) aus dem Messias von Georg Friedrich Händel? Durch die sanft wiegende Melodik fühlt man sich in das Rom der Barockzeit zurüc...

'Joy to the World' - so hallt es mehrfach wieder in den nacheinander kanonisch einsetzenden Stimmen. Das wahrhaft festliche Arrangement von Vytautas Miskinis überrascht dabei immer wieder mit neuen Mi...

Wer kennt sie nicht, die wohl berühmteste Arie von Händel. Eine zeitlos schöne Melodie, die so ungemein sanglich ist. Das Arrangement bleibt eher schlicht, ist dem Originalsatz der Streicher verpflich...

Recht unscheinbar beginnt Martin Seilers Arrangement eines der bekanntesten Weihnachtslieder. Nach ein paar jazzig anmutenden Klängen geht die Reise in Richtung Pop. Die fließenden Viertelläufe der va...

Chor a cappella. Text und Arrangement: Lorenz Maierhofer

The expressive aria Ombra mai fu from the opera Xerxes (HWV 40) is one of Handel's most popular pieces. Gwyn Arch's new arrangement of this aria for chorus with piano accompaniment, brings this gracef...

Like a fanfare, the choir voices ring in this festive arrangement of the well-known Christmas carol, which finally merges into the harmonious world of jazz. Even if it gets a little more thoughtful in...

This, the first of Handel's four Coronation Anthems, has been a cherished part of crowning British royalty from George II in 1727 to the current sovereign, Charles III. Commemorate the grand occasion...

Zadok the priest' and 'The King shall rejoice' are the two best-known of the four Coronation Anthems that Handel wrote for the coronation of George II in London in 1727. HWV 258 was performed for the...

Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

The concluding chorus from Handel's ode Alexander's Feast, this jubilant anthem will enhance many concert programs and will offer excellent teaching opportunities for developing baroque style. Duratio...

The concluding chorus from Handel's ode Alexander's Feast, this jubilant anthem will enhance many concert programs and will offer excellent teaching opportunities for developing baroque style. Duratio...

It is always refreshing and grounding to sing a Handel anthem. This Alleluia from the oratorio Deborah was first used by Handel in the Coronation Anthem No. 3, Let Thy Hand Be Strengthened. Robert Sie...

The music of a celebrated Handel aria forms the foundation of this introit for Palm Sunday. Arranged with thoughtful care to the original, the regal qualities translate eloquently to the sanctuary for...

The music of a celebrated Handel aria forms the foundation of this introit for Palm Sunday. Arranged with thoughtful care to the original, the regal qualities translate eloquently to the sanctuary for...

Composed in a neo-baroque vernacular, this Easter anthem brings brightness and a spirit of joy into the sanctuary. Using the familiar theme from LOBE DEN HERREN mingled with the 'Hornpipe' from Handel...

This pairing of two of the most popular tunes of all time--Beethoven's 'Ode To Joy' and Handel's 'Joy to the World'--create an exciting and inspirational work for holidays or any time of year. The use...

This pairing of two of the most popular tunes of all time--Beethoven's 'Ode To Joy' and Handel's 'Joy to the World'--create an exciting and inspirational work for holidays or any time of year. The use...

From Handel's masterwork ''Messiah'', the inspirational strains of Hallelujah Chorus are some of the most often heard melodies during the holiday season. This powerful arrangment is faithful to the or...

From Handel's Occasional Oratorio comes this stately classical anthem. A great anthem of power and praise, it works equally well in concert or church.

Here's an exciting and singable arrangement of a Handel chorus. Edited and arranged by veteran Walter Ehret for SAB voices. Festive!

Based On Psalm 92: 1-2. No one knows how to tap the tunes from the masters and edit them for use by a small choir, better than Walter Ehret. This selection comes from Handel's oratorio Jephtha and ha...