Gerald Finzi Sheet Music for Mixed Choir

The choral work "White-Flowering Days" (op. 37) by Gerald Finzi is a lyrical composition for four-part mixed choir a cappella. It was written in 1953 as a contribution to the collection "A Garland for...

This organ reduction is intended to use instead of the original orchestral accompaniment; it is compatible with new edition of Requiem da Camera by Christian Alexander (BH 12681). The organ reduction...

Diese breitgefächerten und durch und durch 'englischen' Kompositionen sind zweifelsohne kleine Juwelen im Chorschaffen Finzis. Er vertonte hier sieben Gedichte des Dichters und Arztes Robert Bridges,...

mit unterlegter Orgelstimme

For St Cecilia, Ceremonial Ode for tenor solo, chorus & orchestra; words by Edmund Blunden. The original work was commissioned by the St Cecilia's Day Festival Committee for the 1947 celebration of mu...

New edition with completion by Christian Alexander of the young composer's first extended work; only the instrumental prelude was performed during Finzi's lifetime. The other three movements are setti...

Orgelauszug

Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has cre...

Words by Edward Taylor form Sacramental Meditations

Finzi's Magnificat was composed to commission in 1952 for the choir of Smith College, Northampton, Massachusetts. Intended for a service of Christmas Vespers it therefore excluded the Gloria, closing...

Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has cre...

In terra pax, Christmas Scene for soprano & baritone soli, chorus & orchestra (1954/6). The text conflates Robert Bridges's poem Noel: Christmas Eve (1913) and Luke 2: 8-14. Finzi suggested that the N...