Giovanni Pierluigi da Palestrina Sheet Music for Mixed Choir

Palestrina is one of the towering figures of late Renaissance church music whose polyphonic compositions remain actively performed in the Choral repertoire. He composed more than 250 motets. This one,...

Missa Aeterna Christi Munera for four unaccompanied mixed voices by Giovanni Palestrina. Adapted from the Matins Hymn for the Common of Apostles, it has edited and arranged for modern use by Henry Was...

Edited by Henry Washington.

A surging choral work with distinct punctuated vocal lines, often with a leading tenor part.

This famous text is set to richly textured music filled with graceful melodic shapes.

A rousing celebration of Christ's ascension to Heaven featuring fantastic runs of notes shared between the voices.

Fresh, crisp and full of life, this work is the perfect setting for the jubilant words recounting the descent of the Holy Spirit upon the Apostles.

Grounded and powerful, this work rises and falls with tuneful motifs shared between upper and lower voices.

This work by Palestrina is both deeply reflective and notable for its warm mellifluous texture that ponders on series of long, held notes.

Giovanni Pierluigi da Palestrina’s Missa Papae Marcelli is one of the most famous works of the Renaissance age. And it’s not just the early 17th-century myth that this piece “saved” polyphonic sacred...

Motet for Four Mixed Voices, a cappella.

Alma Redemptoris Mater, arranged for SAB voices with optional divisi, is a thoughtful adaptation of Palestrina's timeless motet dedicated to the Virgin Mary. This arrangement preserves the ethereal be...

This simple 3-Part canon offers an excellent introduction into a cappella Renaissance style. Available: 3-Part any combination.

The expressiveness of the Renaissance is richly portrayed in this new edition of the classic masterwork by Palestrina. An excellent choice for beginning and developing SATB ensembles. Available for SA...

One of Palestrina's most famous motets, this is a beautifully reflective anthem with Leavitt's editorial markings enhancing the musicality of the work. Available for SATB a cappella. Performance Time:...

(Palestrina/Henson) SATB

Adoramus Te or We Adore Thee is a motet for SATB choir a cappella.

One of the masterworks of 16th Century sacred music, this elegant motet offers a deeply emotional experience as the phrases unfold in a rich outpouring of sound. Available separately: SATB, VoiceTrax...

For SATB Choir A Cappella.

Short Gloria for double SATB choir. Edited by Frank Damrosch.