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Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful tra...

Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful tra...

Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful tra...

Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful tra...

Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful tra...

Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful tra...

Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful tra...

Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful tra...

Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful tra...