Henle Ensemble Sheet Music in premium Urtext editions

Piano trios belong among the great genres of Classical chamber music, and Brahms , too, turned his attention to this genre early on. He wrote his opus 8 in fall and winter 1853/54, thus at the age of...

Mozart's piano trios have been available in an established Henle edition in parts for many years. They have now been extensively revised by the editor and include the latest musicological findings. In...

What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed musi...

Brahms had in fact wanted to stop composing in 1890, but his encounter with the clarinettist Richard Mühlfeld inspired him so much that he produced several works in a row for him over a brief period o...

London, with its bustling musical scene, always provided Haydn with welcome surroundings at a time when the flute was extraordinarily popular among English amateurs. The Earl of Abingdon, an accomplis...

Franz Schubert transformed five song melodies from his rich output of Lieder into instrumental music. The song 'The Trout' from 1817 served as a theme for the variations in his Quintet D. 667 for pian...

Though not nearly as well-known as the 'London Trios,' these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's...

A very readable foreword and extensive Critical Commentary with all necessary information enrich this Urtext edition by master Munich flautist and Mozart expert Henrik Wiese. One may learn there, for...

This pocket score brings together two Mozart quintets that are extraordinary both for their instrumentation and for their musical profundity: the piano quintet K. 452 in E-flat major for piano, oboe,...

> Original keys for high voice > Solo instrument can be played by violin, flute, oboe or similar instruments > Popular pieces in the repertoire > Contains a score both with and without a realization o...

The Shepherd on the Rock, composed in the final year of Schubert's life, was in a certain sense a commission. The opera singer Anna Milder-Hauptmann, the fi rst Leonore in Beethoven's Fidelio, had ask...

As with all of his mature chamber music works Ravel also emerges as an innovator of traditional forms and techniques in his piano trio, composed in 1914. Thus the 'Passacaglia' movement corresponds to...

Ever since Mozart encountered the clarinet in Mannheim in 1778 he loved the instrument's warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orches...

It is quite clear to me what is missing from today's music: a Mozart!' With his trios which he consciously kept in a classical manner, Reger hoped to prove the contrary to the 'ignorant people', who f...

This is Mozart's only piece of chamber music for the oboe - and no oboist would want to be without it! Like the Clarinet Quintet, the Oboe Quartet of 1781 was written for a friend: Friedrich Ramm, a m...

What might have occasioned Mozart to rework his original Serenade for sextet into a version for octet (with two oboes) only a few months after he had completed it? Was there an 'external” cause? Once...

I've had to turn out a serenade on short order': these lines from Mozart to his father offer a glimpse into the everyday life of a composer dependent on patronage. Mozart was about to be married when...

'Wind music of a very special nature on a large-scale, a composition by Hr. Mozart' - this was the way the 'Wiener Blättchen' announced the concert in the National Court Theatre, in which the clarinet...

We not only owe three of Mozart's horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead of having two violi...

Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint...

It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture, demand declined for buoyant serenades and divert...

The model for this composition was Beethoven's Septet op. 20, whose Divertimento character and six-part layout were adopted by Schubert, although he merely expanded the instrumentation by adding a sec...

This Henle edition is full of mistakes! The publisher can freely admit this, because the odd notes here all come from Mozart himself - he consciously inserted them into his Musical Joke. In this amusi...

Beethoven wrote a total of four overtures for his only opera, 'Leonore'/ 'Fidelio'. The so-called Leonore Overture no. 1 is third in the series by chronology, having been written in 1806/07 for a perf...

Beethoven wrote a total of four overtures for his only opera, 'Leonore'/ 'Fidelio'. The so-called Leonore Overture no. 2 is first in the series by chronology and was written in 1805 for the premiere o...