Hymns for Mixed Choir

In October-November 1888, J. P. E. Hartmann composed six songs to texts by Ernst von der Recke. These are the then 83-year-old composer’s tribute to love. In the sequence presented here, the narrator...

Light and fun writing highlights this easy-to-learn, a cappella arrangement of the popular spiritual. Beginning with a rhythmic bass line, the upper voices chime in with the familiar melody, adding ca...

Light and fun writing highlights this easy-to-learn, a cappella arrangement of the popular spiritual. Beginning with a rhythmic bass line, the upper voices chime in with the familiar melody, adding ca...

This volume presents a selection of Danish sacred evening songs by leading composers of the Danish church and hymn tradition. The collection reflects a contemplative and atmospheric repertoire centred...

Filled with luxurious, expressive harmonies, this unaccompanied scripture-inspired octavo takes us from hushed whispers to powerful acclamations of worship and praise. Explore in both word and song th...

Filled with luxurious, expressive harmonies, this unaccompanied scripture-inspired octavo takes us from hushed whispers to powerful acclamations of worship and praise. Explore in both word and song th...

Created with rhythmic phrases, mixed meter, and a simple text, this choral is an outstanding a cappella teaching and performance piece. Repetition and the use of hand claps help in learning and retent...

Created with rhythmic phrases, mixed meter, and a simple text, this choral is an outstanding a cappella teaching and performance piece. Repetition and the use of hand claps help in learning and retent...

A motet for eight-part unaccompanied choir setting a poem by Henry Vaughan and edited by Imogen Holst.

The material in Missa Brevis is drawn from the sixth of William Blitheman's varients on the plainsong Gloria Tibi Trinitas, which is to be found in the Mulliner Book. This piece appears in its origina...

A new edition of Mendelssohn's most outstanding unaccompanied choral repertoire, including Kyrie eleison, Heilig, Jauchzet dem Hern alle Welt and Frohlocket, ihr Völker auf Erden.

'Missa O Rex gloriae', edited by David Trendell, is an exquisite and previously unpublished setting of the mass by the Spanish composer Alonso Lobo (1555-1617).

'Adoro te' is a hauntingly atmospheric setting of text by Thomas Aquinas, which has been translated into English by Bishop James Woodford. It's beautiful simplicity and relative brevity makes it an id...

SATB Unaccompanied For centuries, composers have been inspired by the beautiful 'O magnum mysterium' text depicting the birth of the new-born King among the lowly animals and shepherds. This setting f...

The sixteenth century was a time of religious upheaval in England. From Henry VIII's protestant reformation through Queen Mary's staunch but short-lived Catholic revival to the return of Anglicanism i...

Remember, O Lord was written to mark the Fiftieth Anniversary of the Coronation of Her Majesty Queen Elizabeth II. Harvey's dark and sonorous tone creates an intense and majestic atmosphere. This piec...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and incl...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers an...

It is conceived in grand and declamatory style, owing a respectful debt to the great motets of Bruckner. Formed in A-B-A structure, it uses block harmony in the outer sections for impact, whilst the c...

Zadok Rules---Hallelujah! was commissioned by The Hanover Band Foundation to celebrate the 60th anniversary of the Coronation of Queen Elizabeth II, June 2013. Inspired by the works of G. F. Handel, t...

Commissioned by the Tallis Scholars, The Lamentations of Jeremiah is a prime example of Martin's exemplary choral writing. Combining complex harmonies and intricate, antiphonal rhythms Martin has crea...

Commissioned by the Musicians Benevolent Fund in the name of Sir Thomas Armstrong this work was first performed at Westminster Cathedral on 24 November 1999 by the Choirs of Westminster & St Paul's Ca...

This reflective anthem is especially suitable for the Feast of All Saints but may be used throughout the liturgical year. The setting is still, gentle and atmospheric, combining a simple melody with m...

Hodie was written for Portsmouth Grammar School and is an ideal opener for Christmas concerts. The soaring vocal lines are underpinned by rhythmic and harmonically rich organ part, resulting in a joyo...

The Mass Of St Dominic was written in 2013 at the request of the Spode Music week for the 60th anniversary of their summer course. It is a setting in English of the new translation of the Mass and is...