Hymns for Mixed Choir

Memley has set this thoughtful 19th century Barnes' poem in a contemporary madrigal style. Pensive moments cadence on stunning chords, gentle dissonances provoke the listener's ears, woven together in...

Enjoy the contrapuntal textures and fluid lines of the High Renaissance in this 16th century masterwork by the Spanish composer Tomas Luis de Victoria to the text from Isaiah 53. Duration: ca. 3:20.

Enjoy the contrapuntal textures and fluid lines of the High Renaissance in this 16th century masterwork by the Spanish composer Tomas Luis de Victoria to the text from Isaiah 53. Duration: ca. 3:20.

Here is a work with unusual clarity and sonority, perfect for a smaller ensemble or for madrigal singers. While written in simple four-part, this work still demands working with the details of this be...

Using driving recurring rhythms and themes sung in jubilant homophony, this song is perfect for high school and beyond and is well suited for festival use. A carefully crafted, lively selection for an...

The words of Justin Gung express God's love and power in assuring tenderness. Michael Graham's musical setting maintains the gentleness while enhancing a profound beauty as well. Soft expressions of p...

Uses: General, Thanksgiving Scripture: I Chronicles 16:8; Psalm 28:7; Colossians 3:15-17 A fresh take on a favorite praise and worship evergreen! The distinctive chord progression of this well-known c...

Uses: General, Thanksgiving Scripture: I Chronicles 16:8; Psalm 28:7; Colossians 3:15-17 A fresh take on a favorite praise and worship evergreen! The distinctive chord progression of this well-known c...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

A new setting of the Latin Ubi Caritas text. Sustained passages and nice homophonic writing allow for reflection of the text and exploration of tone and blend. A good teaching piece and a great additi...

This may the coolest piece to appear in years! With the a cappella trend showing no signs of stopping, this relaunch of a classic praise and worship hit is an innovative choral adaptation. Perfect for...

This ancient prayer carries the depth of the ages clothed in sounds of our current times. Jesse Beulke is a relative newcomer whose maturity in composition is evident. The melodic content is engaging...

There are many settings of The Lord's Prayer, but none more beautiful and true to the text than this one by Peter Anglea. Here, the text from St. Matthew is scored for unaccompanied mixed chorus with...

Fresh and innovative writing brings this African tune to choir lofts and joins it with a spiritually energizing 19th Century hymn text. This pleasing fusion brings the spirit of worship alive for Pent...

Fresh and innovative writing brings this African tune to choir lofts and joins it with a spiritually energizing 19th Century hymn text. This pleasing fusion brings the spirit of worship alive for Pent...

The power and spirit of the unadorned voice shines in this newly composed a cappella spiritual. Set in a classic call and response format, the song leaps from the page with vibrant confidence. A scrip...

The power and spirit of the unadorned voice shines in this newly composed a cappella spiritual. Set in a classic call and response format, the song leaps from the page with vibrant confidence. A scrip...

Jesse Beulke is a relatively new name yet his writing deserves notice. Selected for the David Dickau Signature Series, this piece may bring him the appropriate attention. The text is quite traditional...

Who doesn't remember musical moments in their past, when singing became transcendent and the moment became a memory never to be forgotten? Henry Van Dyke's poem recalls that time and Matthew Emery, th...

Cantate Domino means sing a new song to the Lord, and this composition truly embodies its meaning. Beginning in 7/8, the opening motif is a short statement in Latin, then English, that establishes the...

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...