Hymns for Women's Choir

For SSAA and organ or piano, or strings & harp. Faure's Cantique de Jean Racine has all the emotional appeal and refined elegance that one associates with its composer, and has a cherished place in th...

An easy anthem with words and music by John Rutter. There are three different versions of the vocal parts - unison (or two-part) with keyboard, upper voices with keyboard, or SATB unaccompanied or wit...

Arranged by Walter Ehret. For SSA, Piano. Classical. Choral Part(s). 4 pages. Duration 2:45.

S.S.A. Chorus and Piano, Trio for Women's Voices

SPIRITUAL, S.S.A., Piano

Women's Voices - S.S.A.

For S.S.A. Chorus, with Accompaniment, Festival Chorus (with Secular and Sa

A contemporary orchestration and a men's voicing have been newly added to this, the opening movement from John Leavitt's Missa Festiva. Lyrical lines and flowing phrases throughout.

This contemporary a cappella setting of the Latin text from Lamentations 1:12 is meditative and profoundly moving in its simplicity. Ideal for concert or contest programming. Available: SSAA a cappell...

handbells. This compelling a cappella setting of Henry Van Dyke's poem has a continual sense of motion, created by the 7/8 metre and scat singing style that is passed around the parts. A powerful and...

The affecting simplicity of this prayer gains an extra purity in this arrangement. A version for SATB is also available.

The flowing vocal parts support the expressive text: Where charity and love are, God is there, and this celebratory piece beautifully depicts this universal message. An excellent choice for developing...

An easy anthem with words and music by the composer. There are four different versions of the vocal parts - unison (or two-part) with keyboard, upper voices with keyboard, SA and Men with piano or SAT...

This is the second and most intimate of the composer's 'Three Latin Motets'. Scored for upper voices, this gentle supplication to the Virgin is built on a plainchant opening, and contains expressive d...

Setting an uplifting hymn by Timothy Dudley-Smith, I lift my eyes is a rousing anthem that will appeal to all upper-voice choirs. Unison sections are contrasted with imitative writing, and the soaring...

Stacked vocal lines and counterpoint handclaps sound (and look) stunning! Each voice part introduces its own independent melody with claps, until everything combines in joyful polyphony. Some chordal...

The choral landscape is changing! On the one hand, more and more choirs in Germany and abroad are experiencing a shortage of male voices - and at the same time, more and more female choirs are looking...

The Ave Maria attributed to Giulio Caccini (1551-1618) emerged out of nowhere in the 1990s and immediately achieved remarkable popularity. Caccini was a member of the Florentine Camerata and one of th...

Die getragene Komposition besteht aus zwei Motiven (Kyrie eleison und Christe eleison). Das Kyrie eleison, vorgestellt von den beiden Frauenstimmen, wird schließlich angereichert durch die ruhig fließ...

The Gloria is undoubtedly Vivaldi's most famous choral work, but the Magnificat is just as brilliant, with all the drama and contrast of his best concertos. This is a mature work that has been expertl...

Christoph Schönherr is a respected expert in the field of jazz and pop choirs and he is a much sought after choral composer. He has written of his work: “I have been especially influenced by the polar...